These dancefloor anthems from 1984 represent a moment of Ministry's evolution between their earliest days as a shiny, futuristic, Europhiliac Synth Pop band and their shift to the hard-edged Industrial Dance of Twitch. They quickly evolved into purveyors of brutal guitar terror from The Land of Rape and Honey that has yet to cease. Particularly in their earliest years, they committed themselves to the vanguard of dance music, whether their beats were accompanied by clean analog tones or heavily distorted riffs.
