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(b. Venice, 4 March 1678; d. Vienna, 28 July 1741).Italian composer. He was the son of a professional violinist who played at St Mark's. Vivaldi was trained for the priesthood and ordained in 1703 but soon after his ordination ceased to say Mass; he claimed this was because of his unsure health (he is known to have suffered from chest complaints, possibly asthma or angina). In 1703 he was appointed maestro di violino at the Ospedale della Piet , one of the Venetian girls orphanages; he remained there until 1709, and held the post again, 1711-16; he then became maestro de' concerti. Later, when he was away from Venice, he retained his connection with the Piet (at one period he sent two concertos by post each month). He became maestro di capella, 1735-8; even after then he supplied concertos and directed performances on special occasions. Vivaldi's reputation had begun to grow with his first publications: trio sonatas (probably 1703-5), violin sonatas (1709) and especially his 12 concertos L'estro armonico op.3 (1711). These, containing some of his finest concertos, were widely circulated in northern Europe; this prompted visiting musicians to seek him out in Venice and in some cases commission works from him (notably for the Dresden court). Bach... Read More ... transcribed five op.3 concertos for keyboard, and many German composers imitated his style. He published two further sets of sonatas and seven more of concertos, including La stravaganza op.4 (c.1712), Il cimento dell'armonia e dell'inventione (c.1725, including "The Four Seasons") and La cetra (1727). It is in the concerto that Vivaldi's chief importance lies. He was the first composer to use ritornello form regularly in fast movements, and his use of it became a model; the same is true of his three-movement plan (fast-slow-fast). His methods of securing greater thematic unity were widely copied, especially the integration of solo and ritornello material; his vigorous rhythmic patterns, his violinistic figuration and his use of sequence were also much imitated. Of his c.550 concertos, c.350 are for solo instrument; there are c.40 double concertos, more than 30 for multiple soloists and nearly 60 for orchestra without solo, while more than 20 are chamber concertos for a small group of solo instruments without orchestra (the "tutti" element is provided by the instruments all playing together). Vivaldi was an enterprising orchestrator, writing several concertos for unusual combinations like viola d'amore and lute, or for ensembles including chalumeaux, clarinets, horns and other rarities. There are also many solo concertos for bassoon, cello, oboe and flute. Vivaldi was also much engaged in vocal music. He wrote a quantity of sacred works, chiefly for the Piete girls, using a vigorous style in which the influence of the concerto is often marked. He was also involved in opera and spent much time traveling to promote his works. His earliest known opera was given in Vi
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