Tracklist (Vinyl)
A1 | | Sweet Jane | | | A2 | | Momma's Little Jewel | | | A3 | | All The Young Dudes | | | A4 | | Sucker | | | A5 | | Jerkin' Crocus | | | B1 | | One Of The Boys | | | B2 | | Soft Ground | | | See more tracksB3 | | Ready For Love | | | B4 | | After Lights | | | B5 | | Sea Diver | | |
* Items below may differ depending on the release.
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Review Named after a novel by 1960s cult writer Willard Manus, Mott the Hoople combined the yearning vocal style of Bob Dylan with the swirling keyboards of Procol Harum and some Stonesy guitars. Self-regarding and swaggering, Mott embodied the Seventies glam-rock aesthetic at its best: Working-class and straight but well loved by a gay audience, they managed to retain a cool irony amid the narcissistic welter.But in 1972, having released four albums that failed utterly to crack the charts, the band was in trouble. While their live shows drew crazily… Read More enthusiastic crowds all over England, Mott were sinking into debt. Glam-rock figure and longtime Mott fan David Bowie thought this a shame, and he offered the wistfully anthemic "All the Young Dudes" to the band as a final shot at the pop stardom that had thus far eluded it. This was a particularly generous gesture, as Mott had previously turned down Bowie's "Suffragette City" as insufficiently sophisticated. "All the Young Dudes" would go on to become the band's most successful single, just as the Bowie-produced album of the same name would resurrect Mott the Hoople's career. The record's high points are very high indeed. Of particular note are the soulful version of Lou Reed's "Sweet Jane," which serves as the album's opener; the strutting "Jerkin' Crocus," which recalls the Stones' "Tumbling Dice," of the same era; and the oddball "Sea Diver," which closes the record in a rather quizzical fashion. While All the Young Dudes does feature a few clinkers among its nine tracks - organist Verden Allen's heavy-handed "Soft Ground" is particularly hard to stomach - the disc is a central document of the glam era, a time when English rock wore its reckless heart on its sleeve in a truly endearing fashion. ADAM BRESNICK (RS 895 - May 9, 2002)
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