without that singer's occasional heavy-handedness. Synthesizer and a sax round out the rocker's edges, giving it the barest hint of Roxy sophistication. Thick harmonies serve the same function for the other uptempo standout, "At War with the World," though little could have saved the tired lyrical and musical ideas of the riffy "Headknocker."

The melodic feel and production of the ballads and midtempo material reveal ELO sources—"Woman Oh Woman" is a particularly fetching soundalike. The swirling vocals and stately guitar of "Starrider" reveal similar pop influences, but like most of Foreigner's tunes, the lyrics add little to the song's final impact. While more than half of these tunes are powerful performances, none of them invites much emotional involvement.

Foreigner clearly has the moves to step into the big time, but needs a bit more time to gel before the group can offer more than already proven formulas. Unfortunately, in these days of prepackaged phenomena, such development sometimes seems secondary to producing a slick and marketable recorded sound. So while Foreigner already looks like a strong contender, one hopes success doesn't rob them of the time and space they need to grow. (RS 240)

JOHN MILWARD