best known for his work with Gato Barbieri, and he provides intense, soaring electric guitar, especially on "Solarization." The front line of the band is rounded out by the Brecker brothers, Mike on reeds and flute and Randy on horns. The Breckers are well attuned to each other and sound crisp and tight on "Lunarputians" and "Bandits."

The major problem with Cobham's music is that it's just too slick. As often happens with a drummer-led group the major emphasis is naturally on the percussion, and with a drummer of Cobham's caliber it's hard to fault the producers (Cobham and Ken Scott) for putting less emphasis on the guitar and horns than on the leader's awesome displays of stick work. Yet Cobham might pick up a hint from Elvin Jones, who has been running bands since he left Coltrane almost ten years ago. Elvin keeps the mix nice and even, only rising above it for his solo work. Whereas Cobham writes all his band's music (complete with every thematic and melodic cliché in the book) Elvin lets his talented sidemen contribute the songs and develop them for the group.

Billy Cobham is perhaps too strong a musician to run a group without totally dominating the rest of the players, but until he gets his ego within some boundaries, his records should continue at the same bland pace. (RS 186)

STEPHEN DAVIS