offering only a short vocal homage to "Johnny." On Hard Again Winter pushed Muddy to play some of the fiercest blues guitar imaginable and it would have been nice to have heard more of the same here. As it is, though, there's no shortage of hair-raising picking, for Winter simply has never recorded in as vital a blues context. The rhythm section, as usual, is practically demoniac in its intensity, pushing Winter to heights of technique-drenched frenzy that vindicate his long-debated position at the top of white blues players.

It's good to know that the blues continue to be a living tradition, while reaching a larger and larger audience. Winter has effectively bridged the gap between hard rock and the blues in a way that only great stylists like Jimi Hendrix and Eric Clapton have been able to, thus proving himself as one of our greatest musical resources. (RS 246)

JOHN SWENSON