Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Format:
CD
Condition:
MINT (M) / NEAR MINT (NM OR M-) (Media / Cover) More Info
Label:
Decca 4759077
Country:
Europe
Released:
2007
Genre:
Opera
Num In Set:
2
Barcode:
028947590774
Quantity:
1in stock
Seller Ref:
2991762302 box 65 1
still factory sealed (with info/hype sticker on front on plastic seal)
Johann Nepomuk Hummel • Air À La Tirolienne Avec Variations
8
Air À La Tirolienne Avec Variations
7:24
Manuel García • La Figlia Dell'Aria
9
E Non Lo Vedo … Son Regina
7:02
Maria Malibran • Rataplan
10
Rataplan
2:26
Giovanni Pacini For [Giacomo] Rossini • Tancredi
11
Dopo Tante E Tante Pene
3:14
Vincenzo Bellini • I Puritani (Malibran Version)
12
O Rendetemi La Speme … Qui La Voce
5:20
13
Vien, Diletto
2:48
Jacques Fromental Halévy • Clari
14
Come Dolce A Me Favelli
2:33
Lauro Rossi • Amelia Ovvero Otto Anni Di Costanza
15
Sorrete, O Lagrime
2:33
Maria Malibran For [Gaetano] Donizetti's L'Elisir D'Amore
16
Prendi, Per Me Sei Libero
4:15
Vincenzo Bellini • Norma
17
Casta Diva
6:48
Barcode and Identifiers Barcode: 028947590774 Matrix / Runout: 00289 475 907-7 01 51914191 Matrix / Runout: Made in Germany by EDC Mastering SID Code: IFPI LV26 Mould SID Code: IFPI 0146 Label Code: LC 00171 Rights Society: BIEM / SABAM SPARS Code: DDD Price CodeBoxed: DH
Credits Concept By - Cecilia Bartoli, Markus Wyler Conductor - Adam Fischer Coordinator [Production Coordinator] - Joanne Baines Edited By - Ian Watson, Jenni Whiteside Engineer [Balance] - Philip Siney Engineer [Recording] - Wolf-Dieter Karwatky Leader [Orchestra La Scintilla] - Ada Pesch Liner Notes [Booklet Editor] - Janina Clark Liner Notes [English Translation – Rossini Tribute] - Susannah Howe Liner Notes [English Translation] - Richard Evidon Liner Notes [English] - Janina Clark Liner Notes [French Translation] - Jean-Claude Poyet Liner Notes [German Translation – Rossini Tribute] - Gudrun Meier Liner Notes [German Translation – Scandal Extracts] - Eckhardt Van Den Hoogen Liner Notes [Musicologist And Editor] - Martin Heimgartner Mezzo-soprano Vocals - Cecilia Bartoli Other [Dedicatee] - Maria Malibran Other [Fabric] - Fabric Frontline Other [Special Thanks] - Giorgio Cavallari, Luigi Cuoco, Sergio Ragni Photography By - Vivianne Purdom Photography By [Artefact Photos] - Roger Schmidt, Uli Weber Photography By [Cecilia Bartoli Portraits] - Uli Weber Photography [Direction] - Michael Walters Producer [Assistant] - Kathleen Alder Producer [Recording] - Christopher Raeburn Product Manager - Niall O'Rourke Repetiteur [Yodelling Coach] - Nadia Raess
Notes Bound hardcover booklet (146 numbered pages) with disc in sleeve
"Cecilia Bartoli leads a tribute to the extraordinary life of Maria Malibran, the first female superstar in music history. A meteoric career, which ended abruptly with her death at the age of only 28, made Maria Malibran an international celebrity. Surrounded by scandal and mystique, she was muse to the most important opera composers of the era. She was worshipped as the public goddess of Romanticism. Cecilia Bartoli follows La Malibran's unique journey through the musical capitals of the world."
—————— MARIA MALIBRAN 1808–1836
LONDON 1825–1836: Vincenzo Bellini, "La Sonnambula" Johann Nepomuk Hummel, "Air à la Tirolienne avec variations" Felix Mendelssohn, "Infelice" (London version) [world premiere recording]
NEW YORK 1825–1827 Manuel García, "La Figlia dell'Aria" [world premiere recording] • "El Poeta Clculista"
PARIS 1827–1832 Vincenzo Bellini, "I Puritani" (Malibran version) Jacques Fromental Halévy, "Clari"[world premiere recording]
BRUXELLES 1829–1836 Maria Malibran, "Rataplan" [world premiere recording]
NAPOLI 1832–1835 Giovanni Pacini, "Irene" [world premiere recording] • "Tancredi" [world premiere recording] Giuseppi Persiani, "Ines de Castro" Lauro Rossi, "Amelia" [world premiere recording]
MILANO 11834–1836 Vincenzo Bellini, "Norma" Maria Malibran, "L'Elisir d'Amore" [world premiere recording]
—————— (Maxim Vergerov appears courtesy of EMI Classics)
Golden Oldies (Belgique, Belgium)
Overall Rating:
Feedback: 100% positive (29 ratings) Fill Rate: 100% availability Time To Ship: 1.7 days Response Time:Response Time: 0.5 days (12.7 hrs)
- We replace the cd cases with new jewelcases - We use professional packing material and make strong packages - We ship with trackingnumber (unless otherwise mentioned for low value items) - all items are graded under a bright light, lp's are visual + sound graded, cd's are visual graded - we give the same buyer protection as paypal when you pay with a banktransfer
Goldmine Grading Standard:
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
------------------------------------------------------------ Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
------------------------------------------------------------ Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
------------------------------------------------------------ Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
------------------------------------------------------------ Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
------------------------------------------------------------- Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
Payment Methods Accepted
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Shipping Costs
-a phone number is recommended for updates on delivery process
- we make the strongest possible packages
- our shipping is allmost allways with a tracking code, it is the buyers responsibility to track the package and follow up on the delivery process
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Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100% If your order is damaged in transit we will replace the order or refund your money 100% We accept returns in the same condition we sent them to you. Buyer pays all return shipping costs. If we make a mistake we will pay all return shipping costs and correct the order or refund you.
Shipping to United States
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Standard shipping: traceable or standard
No Insurance, Tracking, No Signature, 10-15 days Estimated Delivery