Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
MusicStack has partnered with a vinyl to CD conversion service who will convert the 7" to recordable CD for you. It will sound great with no annoying clicks, pops or background noise.
How does this service work?
The seller will ship the 7" to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the 7" only for your ears. The 7" and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the 7" + $20 USD for the conversion to recordable CD + cost of shipping of the 7" to Arizona + cost of shipping of the 7" from Arizona to your location paid in advance.
Barcode and Identifiers Barcode: 5099766346373 Rights Society: MCPS / BIEM / SDRM Label Code: LC 0199 Matrix / RunoutSide A runout, stamped: 01 663463 04 1A1 Matrix / RunoutSide B runout, stamped: 01 663463 04 1B1
Credits Mixed By - Andy MacPherson (Tracks: A), Andy Rose (Tracks: B) Producer - Frank Black Recorded By - Andy Rose (Tracks: B), Matt Yelton (Tracks: A) Written-By - Frank Black
Notes Side A recorded at Sound City Studios by Matt Yelton and mixed by Andy MacPherson
Side B recorded live in Bristol, February 7th, 1996 mixed by Andy Rose
Fruitmooning (South Yorkshire, United Kingdom)
Overall Rating:
Feedback: 99.7% positive (330 ratings) Fill Rate: 64% availability Time To Ship: 1.0 day (23.3 hrs) Response Time:Response Time: 0.4 days (10.8 hrs)
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------ EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------ VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------ GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------ FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------ POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------ BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------ CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
Payment Methods Accepted
PayPal
Shipping Costs
All our shipping prices are in UK Pounds.
Within UK: 7"/CD in UK: £3.30 + £0.75 for each extra item (Not Recorded Delivery) Within UK: LP/12" in UK: £4.00 + £1.00 for each extra item (Not Recorded Delivery) Within UK: 7"/CD in UK: £3.30 + £0.75 for each extra item (Recorded Delivery) Within UK: LP/12" in UK: £5.00 + £1.00 for each extra item (Recorded Delivery) To Europe (Air Mail): 7"/CD to Europe: £5.50 + £0.75 for each extra item (Not Registered Air Mail) To Europe (Air Mail): LP/12" to Europe: £7.50 + £1.50 for each extra item (Not Registered Air Mail) To Europe (Air Mail): 7"/CD to Europe: £8.50 + £0.75 for each extra item (Registered Air Mail) To Europe (Air Mail): LP/12" to Europe: £10.00 + £1.50 for each extra item (Registered Air Mail) To USA/Canada/Australia/New Zealand/Japan: 7"/CD £6.50 + £1.00 for each extra item (Not Registered Air Mail) To USA/Canada/Australia/New Zealand/Japan: LP/12" £18.00 + £2.00 for each extra item (Not Registered Air Mail) To USA/Canada/Australia/New Zealand/Japan: LP/12" £20.00 + £2.00 for each extra item (Registered Air Mail) To Rest of World (Registered Air Mail): 7"/CD to Rest of World: £10.00 + £0.75 for each extra item To Rest of World (Registered Air Mail): LP/12" to Rest of World: £15.00 + £2.00 for each extra item
Return Policy
If the order is lost in the mail:Full Sales Refund If the order is damaged in transit:Full Sales Refund If you ordered the wrong item:Apologise If we made an error with your order:Apologise Return shipping will be paid by:Seller
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
