Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Format:
CD
Condition:
VERY GOOD PLUS (VG+) / VERY GOOD PLUS (VG+) (Media / Cover) More Info
Barcode and Identifiers BarcodeScanned: 093624523024 Barcode: 0 9362-45230-2 4 Label Code: LC 0322 Price Code: WE 833 Rights Society: GEMA/BIEM Matrix / Runout: 936245230-2 WME
Credits Alto Saxophone, Flute, Clarinet - Lou Marini Arranged By [Rhythm, Horn], Keyboards, Vocals - Donald Fagen Backing Vocals - Amy Helm, Angela Clemmons-Patrick, Brenda White King, Catherine Russell, Curtis King, Dian Sorel, Diane Garisto, Fonzi Thornton, Frank Floyd, Jenni Muldaur, Mindy Jostyn Baritone Saxophone - Roger Rosenberg, Ronnie Cuber Bass, Lead Guitar - Walter Becker Coordinator [Production Coordinator] - Lisa Starr Design - Carol Bobolts, Red Herring Design Drums - Chris Parker (Tracks: I, II, VI, VII), Dennis McDermott (Tracks: IV), Leroy Clouden (Tracks: III, V, VIII) Edited By [Sample Editing], Sampler, Effects [Digital Delay Acquisition] - Craig Siegel Engineer [Chief] - Roger Nichols Engineer [House] - Wayne Yurgelin Engineer [More] - Dave Russell, David Michael Dill, Tom Fritze, Tony Volante Engineer [Second] - Andy Grassi, Bob Mitchell, Jay Ryan, John Neff, Troy Halderson Engineer [Second], Technician [Digital] - Phil Burnett Guitar - Georg Wadenius Lyrics By - Libby Titus (Tracks: VI) Management [Representation] - Craig Fruin, HK Management Mastered By - Glenn Meadows Music By, Lyrics By - Donald Fagen (Tracks: VI) -
Notes Standard jewel case, 5-panel booklet (10 pages), First European issue. Unlike Kamakiriad this release has no Mastering OR Mould SID Codes.
Recorded and Mixed at River Sound, New York Additional Recording at: Hyperbolic Sound, Hawaii; Clinton Recording and The Hit Factory, New York Mastering: at Masterfonics, Nashville Car Photography: AM. n. 39 11/92 Representation: HK Management Dedicated in memorium [sic] to Dorothy White
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
------------------------------------------------------------ Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
------------------------------------------------------------ Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
------------------------------------------------------------ Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
------------------------------------------------------------ Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
------------------------------------------------------------- Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
------------------------------------------------------------- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
Payment Methods Accepted
PayPal
Shipping Costs
I CAN NOT BE HELD RESPONSIBLE FOR DELIVERY TIMES OR LOSS/DAMAGE IN TRANSIT ,
PROOF OF POSTAGE IS ALWAYS OBTAINED IN THE EVENT OF LOSS/DAMAGE PROOF OF POSTAGE WILL BE PROVIDED FOR BUYER TO MAKE CLAIM
UK: 7" £3.50 1ST ITEM /£1.25 EACH ADDITIONAL UK: 12"/LP £4.50 1ST ITEM /£1.50 EACH ADDITIONAL UK: CD £2.50 1ST ITEM £0.50 EACH ADDITIONAL
EUROPE: 7" 8.99 1ST ITEM /£2.00 EACH ADDITIONAL EUROPE: LP £12.99 1ST ITEM /£2.00 EACH ADDITIONAL EUROPE: CD £4.80 1ST ITEM £0.50 EACH ADDITIONAL
USA/REST OF WORLD: 7" £12.95 1ST ITEM /£2.00 EACH ADDITIONAL USA/REST OF WORLD: 12"/LP £18.99 1ST ITEM /£2.00 EACH ADDITIONAL USA/REST OF WORLD: CD £8.99 1ST ITEM £1.00 EACH ADDITIONAL
If you would like SIGNED FOR/TRACKED & TRACE - ADD £5.30 to stated postage above
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100% If your order is damaged in transit we will replace the order or refund your money 100% We accept returns in the same condition we sent them to you. Buyer pays all return shipping costs. If we make a mistake we will pay all return shipping costs and correct the order or refund you.
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
