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Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
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Buy both the CD and a CD backup copy
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Format: | | CD |
Condition: | | NEAR MINT (NM OR M-) / NEAR MINT (NM OR M-) (Media / Cover) More Info |
Label: | | Atlantic 7567836902 |
Country: | | Europe |
Released: | | 2003 |
Genre: | | Reggae |
Num In Set: | | 1 |
Barcode: | | 075678369025 |
Quantity: | | 1 in stock |
Seller Ref: | | 1754450644 1 |
Como Nuevo // Like New
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Tracklist
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1 | Dutty Rock Intro | 2:25 | 2 | Shout (Street Respect) | 3:44 | 3 | Gimme The Light | 3:46 | 4 | Like Glue | 3:54 | 5 | Get Busy | 3:32 | 6 | Baby Boy | 4:05 | 7 | Top Of The Game | 4:05 | 8 | Ganja Breed | 3:15 | 9 | Concrete | 3:55 | 10 | I'm Still In Love With You | 4:33 | 11 | International Affair | 3:49 | 12 | Can You Do The Work | 3:25 | 13 | Punkie | 3:35 | 14 | My Name | 3:40 | 15 | Jukin' Punky | 2:02 | 16 | Gimme The Light (Pass The Dro-Voisier Remix) | 3:21 | 17 | Bubble | 3:47 | 18 | Shake That Thing | 3:54 | 19 | Esa Loca | 3:48 | 20 | Punkie (Espanol) | 3:35 |
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Barcode and Identifiers
Barcode: 0 -7567-83690-2 5 BarcodeString: 075678369025 Label Code: LC 00121 Rights Society: GEMA/BIEM Matrix / RunoutVariants 1 to 5: [Warner W logo] 756783690-2 08/03 V01 Mastering SID CodeVariants 1 to 5: IFPI L011 Mould SID CodeVariant 1: IFPI 0594 Mould SID CodeVariant 2: IFPI 0628 Mould SID CodeVariant 3: IFPI 05M8 Mould SID CodeVariant 4: IFPI 05N7 Mould SID CodeVariant 5: IFPI 05A0
Credits Art Direction, Design - Marlon James Executive-Producer - Chris Chin, Sean Henriques Executive-Producer, A&R [Project Director], Management [Project], Promotion [Director] - Murray Elias Executive-Producer, Producer, Management - Jeremy Harding Legal [Representation] - Jay Quatrini, Terri F. Baker, Esq. Management - 2 Hard Management Management [Project] - James Lopez, Joi Brown Management [Project], Promotion [Director] - Shawn "Promo" King Mastered By - Paul Shields Other [Make-Up], Other [Styling] - Jaque Gareave Other [Model] - Sanya Hughes Photography - William Richards Producer - Andre 'Rookie' Tyrell, Delroy Foster, Lloyd James, Louis "Flabba" Malcolm, Richard 'Richie D' Martin, Sly & Robbie, Steely & Clevie, Steven "Lenky" Marsden, The Neptunes, The Shocking Vibes Crew, Tony Kelly, Troyton Rami, Ward 21 Promotion [Director] - Don't Think Twice, Dustin Edelhertz, Eric Steinbach, Gabriel Tesoriero, James "Jazz" Goring, John Junior, Josh Glassel, Michelle Linn, Noah Jolles, The VP Promo Staff Promotion [Directo - Willie Daniels
Notes Executive Producers: Jeremy Harding for 2 Hard Records, Murray Elias & Christopher Chin for VP Records
© 2002 and this compilation ℗ 2003 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States except for Track 6 ℗ 2003 Sony Music Entertainment Inc. Made in Germany by WARNER MUSIC MANUFACTURING EUROPE
On disc: Warner Music Group. An AOL Time Warner Company.
Beyoncé appears courtesy of Music World Music/Columbia Records. Rahzel appears courtesy of MCA Records. Busta Rhymes appears courtesy of Flipmode Record/J Records Fahrenheit appears courtesy of Mystic Urchin Music
Track 11 contains a sample of "I Know You Got Soul" by Eric B and Rakim. Used courtesy of Universal Music Special Markets. Written by Eric Barrier, Charles Bobbit, James Brown, William Griffin and published by Crited Music Inc, Robert Hill Music, Unichappell Music Inc, and Universal Songs Of Polygram (BMI) Also contains a sample of "Up Town Top Rankin" as performed by Althea And Donna. Used courtesy of Joe Gibbs Records. Written by Gibbs, Thompson, Forest, Reid (Copyright Control).
Released in a standard jewel case with clear tray and a 12 page booklet. Some copies with sticker on front: “Inc. the hit singles Baby Boy feat. Beyoncé Get Busy Gimme The Light and Like Glue”
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Conditions and Grading
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor
, Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.