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Note
Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.
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Buy both the 2CD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the 2CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the 2CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the 2CD only for your ears. The 2CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the 2CD + 0 conversion to recordable CD + cost of shipping of the 2CD to Arizona + cost of shipping of the 2CD from Arizona to your location paid in advance.
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Format: | | 2CD |
Condition: | | NEAR MINT (NM OR M-) / VERY GOOD PLUS (VG+) (Media / Cover) More Info |
Label: | | Parlophone CDPCSDS166 |
Country: | | UK & Europe |
Released: | | 2014 |
Genre: | | Synth-pop |
Num In Set: | | 2 |
Barcode: | | 724383435326 |
Quantity: | | 1 in stock |
Seller Ref: | | 1826645032 1 |
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Tracklist
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1-1 | In The Night | 4:50 | 1-2 | A Man Could Get Arrested | 4:19 | 1-3 | That's My Impression | 5:18 | 1-4 | Was That What It Was? | 5:14 | 1-5 | Paninaro | 4:40 | 1-6 | Jack The Lad | 4:31 | 1-7 | You Know Where You Went Wrong | 5:51 | 1-8 | A New Life | 4:56 | 1-9 | I Want A Dog | 4:58 | 1-10 | Do I Have To? | 5:14 | 1-11 | I Get Excited (You Get Excited Too) | 4:54 | 1-12 | Don Juan | 3:54 | 1-13 | The Sound Of The Atom Splitting | 5:13 | 1-14 | One Of The Crowd | 3:55 | 1-15 | Your Funny Uncle | 2:15 | 2-1 | It Must Be Obvious | 4:24 | 2-2 | We All Feel Better In The Dark | 4:00 | 2-3 | Bet She's Not Your Girlfriend | 4:28 | 2-4 | Losing My Mind | 4:34 | 2-5 | Music For Boys | 3:36 | 2-6 | Miserablism | 4:10 | 2-7 | Hey, Headmaster | 3:06 | 2-8 | What Keeps Mankind Alive? | 3:24 | 2-9 | Shameless | 5:02 | 2-10 | Too Many People | 4:17 | 2-11 | Violence (Haçienda Version) | 4:58 | 2-12 | Decadence | 3:56 | 2-13 | If Love Were All | 2:59 | 2-14 | Euroboy | 4:27 | 2-15 | Some Speculation | 6:33 |
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Barcode and Identifiers
Barcode: 7 24383 43532 6 Price CodeItaly: 070 Price CodeFrance: PM 541 Matrix / RunoutCD 1: [Warner logo] 55940880/0724383435326-1 21 Matrix / RunoutCD 2: [Warner logo] 55940877/0724383435326-2 21 Mastering SID CodeCD 1: IFPI LP 73 Mastering SID CodeCD 2: IFPI LB 46 Mould SID Code: IFPI 0727
Credits Design Concept, Design - Mark Farrow, Phil Sims, Rob Petrie Engineer - Bob Kraushaar (Tracks: 1-10, 2-3, 2-6, 2-7, 2-9 to 2-11, 2-14, 2-15), Brian Reeves (Tracks: 2-6), David Jacob (Tracks: 1-5, 1-6, 1-8, 1-9, 1-12, 2-2), Mike Nielsen (Tracks: 1-9), Paul Wright (Tracks: 1-14), Pete Gleadall (Tracks: 2-7, 2-9, 2-10), Pete Schwier (Tracks: 1-14, 2-1, 2-3, 2-12) Graphics, Design [Graphic Design With] - Pete Mauder Graphics, Design [Graphic Design] - Mark Farrow Legal [Pet Shop Boys Represented In North America By] - Arma Andon Liner Notes [Introduction And Interview] - Jon Savage Management - Jill Wall Management [Jill Wall Assisted By] - Gabrielle Webb Mastered By - Nick Webb Mixed By - Bob Kraushaar (Tracks: 1-10, 2-11, 2-14, 2-15), David Jacob (Tracks: 1-5, 1-6, 1-12, 2-2, 2-4), Mike "Spike" Drake (Tracks: 2-7, 2-9, 2-10), Stephen Hague (Tracks: 2-7, 2-9) Photography By [Inside] - Eric Watson Photography By [Mask Photography] - Richard Burbridge Producer - Bobby Orlando (Tracks: 1-2), David Jacob (Tracks: 1-8), Jonathon Ruffle (Tracks: 2-8), Pet Shop Boys (Tracks: 1-1 to 1-12, 1-14, 1-15, 2-1 to 2-15), Phil Harding (Tracks: 1-1), Richard Niles (Tracks: 2-13), Shep Pettibone (Tracks: 1-7) Programmed By - Pete Gleadall (Tracks: 2-7, 2-9 to 2-12, 2-14, 2-15) Programmed By [Fairlight] - Adrien Cook (Tracks: 1-5 to 1-7) Written-By - Helena Springs (Tracks: 1-8), Tennant / Lowe (Tracks: 1-1 to 1-12, 1-14, 1-15, 2-1 to 2-3, 2-5 to 2-7, 2-9 to 2-12, 2-15)
Notes Reissue by Warner Music Group based on the original "Printed in Holland" artwork. "Marketed and distributed by EMI" statement next to the barcode replaced by "Place of manufacture as stated on label".
All songs published by Cage Music Ltd/EMI 10 Music Ltd-MCPS except: 1-8 Cage Music Ltd/EMI 10 Music Ltd-MCPS/Little Miss Music; 1-13 Cage Music Ltd/10 Music Ltd/Perfect Songs Ltd-MCPS/Unforgettable Songs Ltd-MCPS; 2-4 Carlin Music Corporation; 2-8 Gema/Universal Editions AG (Wien)/Alfred A Kalmus Ltd; 2-13 Warner Chappell Music Ltd.
Mastering at Abbey Road Studios. Concept and design at Farrow. Pet Shop Boys managed at Pet Shop Boys Partnership. Pet Shop Boys represented in North America by Andon Artists.
℗ 1995 The copyright in this compilation is owned by Pet Shop Boys Partnership Ltd under exclusive licence to Parlophone Records Ltd. EMI Records Ltd. © 1995 Pet Shop Boys Partnership Ltd. A Warner Music Group Company.
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Conditions and Grading
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor
, Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.