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Live At The Santa Monica Civic / September 4, 1981
3-1
The Wait
3:19
3-2
The Adultress
4:06
3-3
Message Of Love
3:29
3-4
Louie Louie
3:47
3-5
Talk Of The Town
3:19
3-6
Birds Of Paradise
4:15
3-7
The English Roses
4:49
3-8
Stop Your Sobbing
3:39
3-9
Private Life
7:06
3-10
Kid
3:40
3-11
Day After Day
4:48
3-12
Up The Neck
6:01
3-13
Bad Boys Get Spanked
3:15
3-14
Tattooed Love Boys
3:41
3-15
Precious
5:03
3-16
Brass in Pocket
3:18
3-17
Mystery Achievment
5:31
3-18
Higher And Higher
4:22
Barcode and Identifiers BarcodeScanned: 0190296691812 Rights Society: GEMA/MCPS Matrix / RunoutCD1: 0190296691812-01 AL45020-01 manufactured by optimal media GmbH Matrix / RunoutCD2: 0190296691812-02 AL45020-02 manufactured by optimal media GmbH Matrix / RunoutCD3: 0190296691812-03 AL45020-03 manufactured by optimal media GmbH Mastering SID CodeCD1: IFPI L577 Mastering SID CodeCD2: IFPI L576 Mastering SID CodeCD3: IFPI L578 Mould SID CodeCDs 1, 2, 3: IFPI 9755
Credits Art Direction [Reissue], Design [Reissue] - Stuart Crouch Creative Artwork [Preparation] - KGB Studios Bass, Vocals - Pete Farndon Curated By - Chrissie Hynde Drums, Vocals - Martin Chambers Engineer [Assisted By] - Jeremy Green (Tracks: CD1), Jon Walls (Tracks: CD1) Engineer [Mobile Unit C.E.] - Steven Colby (Tracks: CD3) Executive-Producer - Harriet Bellush (Tracks: CD3), Sam Kopper (Tracks: CD3) French Horn - Jeff Bryant (Tracks: CD1) Guitar, Keyboards, Vocals - James Honeyman-Scott Guitar, Vocals - Chrissie Hynde Instruments [Odds 'n' Ends] - Chris Thomas (Tracks: CD1) Liner Notes - Will Hodgkinson Management [Worldwide] - Quietus Management Ltd. Mixed By - Ed Stasium (Tracks: CD3) Photography By [Back Cover] - Wendy Dancey Photography By [Booklet Back] - Gavin Cochrane Photography By [Front Cover] - Gavin Cochrane Photography By [Inside Cover, Page 06] - Chalkie Davies Photography By [Page 02-03, 10, 15, 16-17] - Lynn Goldsmith Photography By [Page 04] - Paul Cox Photography By [Page 07] - Dale Brazao Photography By [Page 08, 09, 13] - Ebet Roberts Photography By [Page 11, 12 (top] - Jill Furmanovsky Photography By [Page 12 (bottom)] - Walt Disney Television Photography By [Page 14] - David Warner Ellis Producer - Chris Thomas (Tracks: CD1), Starfleet Blair, Inc. (Tracks: CD3) Promotion [Marketing, Reissue] - Tom Sparrow Recorded By - Bill Price (Tracks: CD1) Reissue Producer - Bill Inglot, Jason Day, Olivia Thomas Reissue Producer [With] - Didz Hammond Remastered By [Additional] - Dan Hersch, Dave Schultz Remastered By [Original LP - Chris Thomas
Notes 40th Anniversary 3CD edition in LP-sized gatefold packaging with sticker to shrinkwrap. Includes a twenty page illustrated book with liner notes and tracklistings. No running times on release.
Made in Germany.
CD1 - 'Pretenders II' was originally issued as Real/WEA #SRK 3572 (7/81) CD2, track 2 - Lyntone flexi-single #9650 included with Flexipop magazine (5/81) CD2, track 5 - Real/WEA single #ARE-17 (8/81) CD2, track 6 - B-side to 'Day After Day' Real/WEA single #ARE-17 (8/81) CD2, track 8 - originally issued on 'Extended Play' Sire [US] #MINI 3563 (3/81) CD3, track 7 - B-side to 'I Go To Sleep' Real/WEA single #ARE-18 (11/81) CD3, tracks 1-6, 8-13 & 18 originally released as 'Pretenders Live At The Santa Monica Civic' from the US promo-only LP series 'The Warner Bros. Music Show' WBMS #121 (1982) / Recorded: September 4, 1981
Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
acetates4sale (Gelderland, Netherlands)
Overall Rating:
Feedback: 100% positive (5 ratings) Fill Rate: 78% availability Time To Ship: 0.1 days (1.6 hrs) Response Time:Response Time: 0.2 days (4.3 hrs)
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
------------------------------------------------------------ Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
------------------------------------------------------------ Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
------------------------------------------------------------ Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
------------------------------------------------------------ Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
------------------------------------------------------------- Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
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