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Buy both the CD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
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The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
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| Format: | | CD |
| Condition: | | NEW More Info |
| Label: | | DA VINCI CLASSICS 00593996 |
| Released: | | 20240315 |
| Genre: | | CLASSI |
| Quantity: | | 1 in stock |
C
825
Nicholas Bochsa, Rodolphe Kreutzer and Jean-Louis Duport were all among the greatest virtuoso players of their respective instruments: the harp, the violin, and the cello. All three authored important methods and collections of Etudes for their instrument which are all still in use for the education of young performers. All three, however, were also skilled composers who demonstrate genius, imagination, and brilliant intelligence in their (numerous) works. Bochsa chose to create several Nocturnes for his instrument, the harp, and other instruments (the violin and the cello respectively) in close collaboration with other virtuoso/composers. The result is impressive, since, in spite of the towering musical personalities of all composers involved, the pieces they created sound convincing, consistent, seamlessly woven, and compellingly written. The atmosphere is smooth and warm, the balance among the instruments perfect, and the roles equally balanced. These rarely played pieces acquire a still fresher sound in the version for oboe and harp recorded in this Da Vinci Classics album. Indeed, the fact that the oboe is played through breathing almost enhances the vocal component of this music, which, indeed, is so powerfully indebted to the belcanto tradition and to the operatic gestures of nineteenth-century music that its music becomes a real "song without words".
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