Beatles

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Live At The BBC

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Images, tracklist, identifiers, credits and/or notes have been provided by a third party and may differ from the actual item for sale. Contact the seller with questions or to confirm details.

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Format:		2CD
Condition:		NEAR MINT (NM OR M-) / NOT GRADED (VG) More Info
Label:		Apple Records 724383179626
Country:		Europe
Released:		1994-11-30
Genre:		Interview
Num In Set:		2
Barcode:		724383179626
Quantity:		1 in stock
Seller Ref:		1963536335 1

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Tracklist
1-1	Beatle Greetings (Speech)	0:13
1-2	From Us To You	0:27
1-3	Riding On A Bus (Speech)	0:53
1-4	I Got A Woman	2:48
1-5	Too Much Monkey Business	2:05
1-6	Keep Your Hands Off My Baby	2:30
1-7	I'll Be On My Way	1:57
1-8	Young Blood	1:56
1-9	A Shot Of Rhythm And Blues	2:14
1-10	Sure To Fall (In Love With You)	2:07
1-11	Some Other Guy	2:00
1-12	Thank You Girl	2:01
1-13	Sha La La La La! (Speech)	0:27
1-14	Baby It's You	2:43
1-15	That's All Right (Mama)	2:53
1-16	Carol	2:34
1-17	Soldier Of Love	1:59
1-18	A Little Rhyme (Speech)	0:25
1-19	Clarabella	2:39
1-20	I'm Gonna Sit Right Down And Cry (Over You)	2:01
1-21	Crying, Waiting, Hoping	2:09
1-22	Dear Wack! (Speech)	0:42
1-23	You Really Got A Hold On Me	2:37
1-24	To Know Her Is To Love Her	2:49
1-25	Taste Of Honey	1:57
1-26	Long Tall Sally	1:52
1-27	I Saw Her Standing There	2:31
1-28	The Honeymoon Song	1:39
1-29	Johnny B Goode	2:51
1-30	Memphis, Tennessee	2:12
1-31	Lucille	1:49
1-32	Can't Buy Me Love	2:06
1-33	From Fluff To You (Speech)	0:28
1-34	Till There Was You	2:13
2-1	Crinsk Dee Night (Speech)	1:04
2-2	A Hard Day's Night	2:24
2-3	Have A Banana! (Speech)	0:21
2-4	I Wanna Be Your Man	2:09
2-5	Just A Rumour (Speech)	0:20
2-6	Roll Over Beethoven	2:15
2-7	All My Loving	2:04
2-8	Things We Said Today	2:18
2-9	She's A Woman	3:14
2-10	Sweet Little Sixteen	2:20
2-11	1822! (Speech)	0:10
2-12	Lonesome Tears In My Eyes	2:36
2-13	Nothin' Shakin'	1:59
2-14	The Hippy Hippy Shake	1:49
2-15	Glad All Over	1:51
2-16	I Just Don't Understand	2:46
2-17	So How Come	2:53
2-18	I Feel Fine	2:12
2-19	I'm A Loser	2:32
2-20	Everybody's Trying To Be My Baby	2:20
2-21	Rock And Roll Music	2:00
2-22	Ticket To Ride	2:56
2-23	Dizzy Miss Lizzy	2:42
	Kansas City/Hey! Hey! Hey! Hey! (Medley)	2:37
2-25	Set Fire To That Lot! (Speech)	0:27
2-26	Matchbox	1:57
2-27	I Forgot To Remember To Forget	2:08
2-28	Love These Goon Shows! (Speech)	0:26
2-29	I Got To Find My Baby	1:55
2-30	Ooh! My Soul	1:36
2-31	Ooh! My Arms (Speech)	0:35
2-32	Don't Ever Change	2:02
2-33	Slow Down	2:36
2-34	Honey Don't	2:11
2-35	Love Me Do	2:29

Barcode and Identifiers Barcode: 7243 8 31796 2 6 Rights Society: BIEM/S.I.A.E. Credits Executive-Producer - George Martin Liner Notes - Kevin Howlett Liner Notes [Introduction] - Derek Taylor Producer - Bernie Andrews (Tracks: 1-6, 1-23, 1-29, 1-31, 1-32, 2-2, 2-8, 2-9, 2-18, 2-19, 2-20, 2-21), Bryant Marriott (Tracks: 1-2, 1-7, 1-34, 2-4, 2-6, 2-7, 2-27), Ian Grant (Tracks: 1-5, 2-34), Keith Bateson (Tracks: 2-22, 2-23), Ron Belchier (Tracks: 1-11, 1-12, 1-27), Terry Henebery (Tracks: 1-4, 1-8, 1-9, 1-10, 1-14, 1-15, 1-16, 1-17, 1-19, 1-20, 1-21, 1-24, 1-25, 1-26, 1-28, 1-30, 2-10, 2-12, 2-13, 2-14, 2-15, 2-16, 2-17, 2-24, 2-26, 2-29, 2-30, 2-32, 2-33, 2-35) Written-By - Chuck Berry (Tracks: 1-5, 1-16, 1-29, 1-30, 2-6, 2-10, 2-21, 2-29), Lennon-McCartney (Tracks: 1-2, 1-7, 1-12, 1-27, 1-32, 2-2, 2-4, 2-7 to 2-9, 2-18, 2-19, 2-22, 2-35) Notes Released by arrangement with BBC Enterprises Ltd. (p) 1994 The copyright in these sound recordings is owned by the BBC under exclusive license to EMI Records Ltd. Digital re-masters (p) 1994 EMI Records Ltd. (c) 1994 Apple Corps Ltd. under exclusive license to EMI Records Ltd. Track 1-01 recorded 9 October 1963. Track 1-02 recorded at BBC Paris Theatre, London, 28 February 1964. Tracks 1-03, 2-09,2-18 & 2-19 recorded at Playhouse Theatre, London, 17 November 1964 (for Top Gear). Tracks 1-04,1-20, 1-21, 1-24,1-26, 1-28, 2-15, 2-16, 2-24 & 2-33 recorded at BBC Paris Theatre, London, 16 July 1963 (for Pop Go The Beatles). Track 1-05 recorded at Aeolian Hall Studios, London, 3 September 1963 (for Pop Go The Beatles). Track 1-06 recorded at Playhouse Theatre, London, 22 January 1963 (for Saturday Club). Track 1-07 recorded at BBC Paris Theatre, London, 4 April 1963 (for Side By Side). Tracks 1-08, 1-10, 1-14 & 2-29 recorded at BBC Paris Theatre, London, 1 June 1963 (for Pop Go The Beatles). Tracks 1-09, 2-30, 2-32 & 2-34 recorded at Playhouse Theatre, Manchester, 1 August 1963 (for Pop Go The Beatles). Tracks 1-11 & 1-12 recorded at Playhouse Theatre, London, 19 June 1963 (for Easy Beat). Tracks 1-15 to 1-19 recorded at Maida Vale Studios, London, 2 July 1963 (for Pop Go The Beatles). Track 1-23 recorded at Playhouse Theatre, London, 30 July 1963 (for Saturday Club). Tracks 1-25, 1-30, 2.10 to 2-14, 2-17, 2-26 & 2-35 recorded at Aeolian Hall Studios, London, 10 July 1963 (for Pop Go The Beatles). Track 1-27 recorded at Playhouse Theatre, London, 16 October 1963 (for Easy Beat). Track 1-29 recorded at Playhouse Theatre, London, 7 February 1964 (for Saturday Club). Track 1-31 recorded at Playhouse Theatre, London, 7 September 1963 (for Saturday Club). Tracks 1-32, 1-34, 2-04 to 2-07 recorded at Picadilly Theatre, London, 28 February 1964 (for From Us To You). Tracks 2-01 to 2-03 & 2-08 recorded at Broadcasting House, London, 14 July 1964 (for Top Gear). Tracks 2-20 & 2-21

Bennys Disc (Midlands, United Kingdom)

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Feedback: 99% positive (301 ratings)
Fill Rate: 79% availability
Time To Ship: 1.4 days
Response Time: Response Time: 1.0 day (23.2 hrs)

Seller For: 8.8 years
Transactions: 795

43,336 items Updated 55 days ago

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Conditions and Grading

Goldmine Grading Standard:

Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.

Beatles

‐

Live At The BBC

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