MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Credits Artwork [Cover Art] - Richard Ward Composed By [All Songs Composed By] - Lennon-McCartney (Tracks: 1 to 23, 25 to 27) Composed By [Track 24 By] - George Harrison (Tracks: 24) Coordinator [Project Coordinator] - Allan Rouse Design - The Team Engineer [Recording Engineers] - Barry Sheffield (Tracks: 21), Eddie Kramer (Tracks: 18), Geoff Emerick (Tracks: 14 to 20, 23 to 25), Glyn Johns (Tracks: 22, 24, 26, 27), Jeff Jarratt (Tracks: 24, 26), Ken Scott (Tracks: 19, 20), Norman Smith (Tracks: 1 to 13), Peter Bown (Tracks: 27), Phil McDonald (Tracks: 24 to 26) Liner Notes [Introduction] - George Martin Liner Notes [Track Details] - Mark Lewisohn Photography By [Photographs] - Richard Avedon Producer [All Tracks Produced By] - George Martin (Tracks: 1 to 26) Producer [Track 27 Reproduced For Disc By] - Phil Spector (Tracks: 27) Remastered By [Digital Re-mastering By] - Peter Mew
Notes Standard jewel case with a clear tray and 32-page booklet A collection of 27 #1 singles from The Beatles.
[Booklet] Track 1 Recorded September 11 1962 at EMI Studios, Abbey Road, London UK single October 5 1962 US single April 27 1964 #1 for one week (May 30) Track 2 Recorded March 5 1963 at Abbey Road UK single April 11 1963 #1 for seven weeks (May 2 - June 19) US single May 27 1963 Track 3 Recorded July 1 1963 at Abbey Road UK single August 23 1963 #1 for six weeks (September 12 - October 9, November 28 & December 5) US single September 16 1963 #1 for two weeks (March 21 & 28 1964) Track 4 Recorded October 17 1963 at Abbey Road UK single November 29 1963 #1 for five weeks (December 12 1963 - January 15 1964) US single December 26 1963 #1 for seven weeks (February 1 - March 20 1964) Track 5 Recorded January 29 1964 at Pathé Marconi, Paris; February 25 at Abbey Road UK single March 20 1964 #1 for three weeks (April 2 - 22) US single March 16 1964 #1 for five weeks (April 4 - May 8) Track 6 Recorded April 16 1964 at Abbey Road UK single July 10 1964 #1 for three weeks (July 23 - August 12) US single July 13 1964 #1 for two weeks (August 1 & 8) Track 7 Recorded October 18 1964 at Abbey Road UK single November 27 1964 #1 for five weeks (December 10 1964 - January 13 1965) US single November 23 1964 #1 for three weeks (December 26 1964 - January 15 1965) Track 8 Recorded October 6 & 18 1964 at Abbey Road US single February 15 1965 #1 for two weeks (March 13 & 20) Track 9 Recorded February 15 1965 at Abbey Road UK single April 9 1965 #1 for three weeks (April 22 - May 12) US single April 19 1965 #1 for one week (May 22) Track 10 Recorded April 13 1965 at Abbey Road UK single July 23 1965 #1 for three weeks (August 5 - 25) US single July 19 1965 #1 for three weeks (September 4 - 24) Track 11 Recorded June 14 & 17 1965 at Abbey Road US single September 13 1965 #1 for four weeks (October 9 - November 5) Track 12 Recorded October 16 1965 at Abbey Road UK single December 3
Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Bennys Disc (Midlands, United Kingdom)
Overall Rating:
Feedback: 98.9% positive (275 ratings) Fill Rate: 76% availability Time To Ship: 1.9 days Response Time:Response Time: 0.2 days (4 hrs)
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
------------------------------------------------------------ Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
------------------------------------------------------------ Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
------------------------------------------------------------ Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
------------------------------------------------------------ Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
------------------------------------------------------------- Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
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If the order is lost in the mail: If the order is damaged in transit: If you ordered the wrong item: If we made an error with your order: Return shipping will be paid by:BUYER unless totally our fault.
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Buy with your head....not over it and enjoy the music.
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