Buy both the LP and a CD backup copy
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How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
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Format: | | LP Want this on CD also?
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Condition: | | MINT (M) / MINT (M) (Media / Cover) More Info |
Label: | | Dead Oceans DOC200 |
Country: | | US |
Released: | | 2022 |
Genre: | | Indie Rock |
Num In Set: | | 1 |
Barcode: | | 656605150017 |
Quantity: | | 1 in stock |
Seller Ref: | | 2449740113 1 |
Nuevo // Never played SEALED - PRECINTADO
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Tracklist
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A1 | DVD Menu | | A2 | Garden Song | | A3 | Kyoto | | A4 | Punisher | | A5 | Halloween | | A6 | Chinese Satellite | | B1 | Moon Song | | B2 | Savior Complex | | B3 | ICU | | B4 | Graceland Too | | B5 | I Know The End | |
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Barcode and Identifiers
BarcodeScanned, back cover: 656605150017 Barcode: 6 56605 15001 7 Label Code: LC 29265 Rights Society: ASCAP Rights Society: BMI Matrix / RunoutSide A runout: DOC200LP-A cut 3-11-20 2 ♡ cm ♡ 37836.1 Matrix / RunoutSide B runout: DOC200LP-B 2 cm 37836.2
Credits 12-String Acoustic Guitar - Harrison Whitford (Tracks: A3) Acoustic Guitar - Christian Lee Hutson (Tracks: B2), Ethan Gruska (Tracks: B3), Harrison Whitford (Tracks: B4) Acoustic Guitar [Hi Strung] - Harrison Whitford (Tracks: A3) Arranged By [Horns] - Nate Walcott Arranged By [Strings] - Rob Moose Autoharp - Tony Berg (Tracks: A3) Bandura - Tony Berg (Tracks: B1) Banjo - Tony Berg (Tracks: B4) Baritone Guitar [Electric] - Blake Mills (Tracks: A5), Christian Lee Hutson (Tracks: A5), Phoebe Bridgers (Tracks: A1, A3, A6, B5) Bass - Anna Butterss (Tracks: B3), Emily Retsas (Tracks: B5), Ethan Gruska (Tracks: A6, B1), Jenny Lee Lindberg (Tracks: A3, B3, B5) Bass [Bowed] - Sebastian Steinberg (Tracks: B4) Bass [Sub Bass] - Ethan Gruska (Tracks: A4) Bass [Tenor Bass] - Ethan Gruska (Tracks: A4) Celesta - Christian Lee Hutson (Tracks: B2) Clarinet - Blake Mills (Tracks: B2) Classical Guitar [Nylon Guitar] - Phoebe Bridgers (Tracks: B1) Double Bass [Upright Bass] - Sebastian Steinberg (Tracks: A5, B2) Drums - Jim Keltner (Tracks: A5, B2), Marshall Vore (Tracks: A3, A6, B1, B3, B5) Electric Guitar - Ethan Gruska (Tracks: A3), Harrison Whitford (Tracks: A3, A6, B1, B3), Joseph Lorge (Tracks: A3), Nick Zinner (Tracks: B5), Phoebe Bridgers (Tracks: A3, B3), Tony Berg (Tracks: A3, A6, B2, B3) Electronic Drums [Syndrum] - Tony Berg (Tracks: A4) Engineer [Engineered By] - Joseph Lorge, Will Maclellan Fiddle - Sara Watkins (Tracks: B4) Guitar [Hi Strung] - Phoebe Bridgers (Tracks: B2, B4) Guitar [Rubber Bridgers Guitar] - Phoebe Bridgers (Tracks: A2, B3) Horns - Nate Walcott (Tracks: A3, B5) Illustration [Booklet Illustrations] - Chris Riddell Instruments [Fader Performance] - Ethan Gruska (Tracks: A4) - P
Notes Recorded at Sound City Studios, Van Nuys, CA Mixed at ARC Studios, Omaha, NE Mastered at Gateway Mastering Studios, Portland, ME
All songs written by Phoebe Bridgers, Whatever Mom Music / ASCAP With emotional and lyrical support by Christian Lee Hutson, Corn Fox Publishing / ASCAP [A2, A5, B2, B4, B5] Morgan Nagler, Goldmeyn Music / BMI [A3] Conor Oberst, Bedrooms; Bedrooms and Spiders / BMI [A4, A5, A6, B2, B5] Marshall Vore, Pizza Money Music / ASCAP [A2, A3, A4, A6, B3, B5] Nicholas White, Sliondelion / BMI [B3]
Julien Baker and Lucy Dacus appear coutesy of Matador Records Ethan Gruska appears courtesy of Warner Bros. Records Blake Mills appears courtesy of New Deal/Verve Records
© & ℗ 2020 Dead Oceans, Inc.
Black vinyl variant includes a 24-page illustrated lyric booklet and a digital download card.
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Note Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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UNDERFLIP RECORDS (Spain)
Overall Rating:
Feedback: 94.9% positive (39 ratings)
Fill Rate: 87% availability
Time To Ship: 2.6 days
Response Time: Response Time: 1.0 day (23.3 hrs)
Seller For: 8.3 years
Transactions: 141
21,220 items Updated 29 days ago
Payment Accepted: PayPal, Transferencia Bancaria , Bank Transfer Only Europe |
Seller Information
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Conditions and Grading
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor
, Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.