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Buy both the Cassette and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the Cassette to recordable CD for you. It will sound great with no annoying clicks, pops or background noise.
How does this service work?
The seller will ship the Cassette to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the Cassette only for your ears. The Cassette and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the Cassette + $35 USD for the conversion to recordable CD + cost of shipping of the Cassette to Arizona + cost of shipping of the Cassette from Arizona to your location paid in advance.
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Format: | | Cassette Want this on CD also?
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Condition: | | VERY GOOD PLUS (VG+) / GENERIC (Media / Cover) More Info |
Label: | | Geffen Records, Inc. GEC24528 |
Country: | | Spain |
Released: | | 1994 |
Genre: | | Alternative Rock |
Num In Set: | | 1 |
Barcode: | | 720642452844 |
Quantity: | | 1 in stock |
Seller Ref: | | 2417434049 1 |
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Tracklist
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A1 | Round Here | 5:36 | A2 | Omaha | 3:44 | A3 | Mr. Jones | 4:36 | A4 | Perfect Blue Buildings | 5:05 | A5 | Anna Begins | 4:35 | A6 | Time and Time Again | 5:19 | B1 | Rain King | 4:20 | B2 | Sullivan Street | 4:34 | B3 | Ghost Train | 4:07 | B4 | Raining In Baltimore | 4:46 | B5 | A Murder Of One | 5:43 |
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Barcode
BarcodePrinted: 7 2064-24528-4 4
Credits Art Direction - Larry Vigon Backing Vocals - Gary Louris, Maria McKee, Mark Olson Bass, Guitar, Vocals - Matt Malley Creative Director - Robin Sloane Design - Brian Jackson, Larry Vigon Drums, Vocals - Steve Bowman Engineer [Additional] - Howard Willing, Robert Hart, Steve Holroyd Engineer [Second] - Brant Scott, Mark Guilbeault Executive-Producer - Gary Gersh Guitar, Guitar [Guitorgan] - Bill Dillon Guitar, Mandolin, Pedal Steel Guitar, Mandocello, Vocals - David Immerglück Guitar, Vocals - David Bryson Music By - Adam Duritz (Tracks: 2 to 11), David Bryson (Tracks: 1, 3, 5 to 8, 11) Percussion - Denny Fongheiser Photography By - Michael Tighe Piano, Organ [Hammond B-3], Accordion, Chamberlin, Vocals - Charles Gillingham Producer, Guitar - T-Bone Burnett Recorded By - Pat McCarthy Vocals, Piano, Harmonica, Words By - Adam Duritz
Notes Recorded in the living room of our big house on a hill in Los Angeles Overdubs at Kiva West Recording Studios, Conway Recording Studios, Village Recorders, Sunset Sound, Los Angeles Mixed at Ocean Way Recording Studios, Los Angeles Mastered at Precision Mastering, Los Angeles, CA
"August And Everything After" words & music by Adam Duritz © 1993 EMI Blackwood Music Inc./Jones Falls Music BMI Track 1 © 1993 EMI Blackwood Music Inc./Jones Falls Music/Free Ohio Publishing/This Ought To Get Me A New Guitar Music/Pork Chops and Apple Sauce Publishing BMI Tracks 2 to 4, 7 to 11 © 1993 EMI Blackwood Music Inc./Jones Falls Music BMI Track 5 © 1993 EMI Blackwood Music Inc./Jones Falls Music/Knucklevision Music/Puppet Head Songs/Siren Says Music BMI Track 6 © 1993 EMI Blackwood Music Inc./Jones Falls Music/Lava Head Music BMI Administered by Bug Music
Mark Olson and Gary Louris appear courtesy of Def American Recordings, Inc. Maria McKee appears courtesy of Geffen Records, Inc. David Immerglück appears with special thanks to Monks of Doom and IRS Records
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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UNDERFLIP RECORDS (Spain)
Overall Rating:
Feedback: 94.9% positive (39 ratings)
Fill Rate: 87% availability
Time To Ship: 2.1 days
Response Time: Response Time: 1.0 day (23.3 hrs)
Seller For: 8.3 years
Transactions: 141
21,500 items Updated 57 days ago
Payment Accepted: PayPal, Transferencia Bancaria , Bank Transfer Only Europe |
Seller Information
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Conditions and Grading
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor
, Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.