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Heiner Goebbels Vimbayi Kaziboni Philharmonia Züri

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Heiner Goebbels: A House of Call (My Imaginary Notebook, Vimbayi Kaziboni/Ensemble Modern Orchestra

                 



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Format: 2CD
Condition: MINT (M)    More Info
Genre: Jazz
Quantity: 1 in stock
Seller Ref:   ECM2728/29

A House of Call is a cycle of invocations, prayers, poems and songs for large orchestra. It incorporates recordings of sounds and voices from all over the world collected by Heiner Goebbels during his travels, research, and chance encounters. The cycle is a response to the history of these recordings and to their complexity, rawness and radiance. In this secular “responsorium”, the orchestra accompanies and supports the voices, answers and challenges them.

Tracklist:

I Stein Schere Papier 1-1 Introitus (A Response To Répons) 9:011-2 Immer Den Gleichen Stein 6:511-3 Under Construction 8:33II Grain De La Voix 1-4 Nu Stiri 6:491-5 Agash Ayak 8:341-6 1346 6:101-7 Krunk 6:30III Wax And Violence 2-1 Toccata (Vowels/Woven) 6:212-2 Achtung Aufnahme 3:282-3 Nun Danket Alle Gott 3:092-4 Ti Gu Go Inîga Mî = Some Of Them Say 7:13IV When Words Gone 2-5 Bakakl – (Diálogo) 5:002-6 Schläft Ein Lied In Allen Dingen 4:262-7 Kalimérisma 10:012-8 What When Words Gone 7:39

BACKGROUND

“Musically, A House of Call takes the full measure of everything Goebbels has ever been involved in.”- Der Tagesspiegel

A cycle of invocations, prayers, poems and songs for large orchestra, A House of Call incorporates recordings of sounds and voices from all over the world collected by Heiner Goebbels during his travels, research, and chance encounters. The cycle is a response to the history of these recordings and to their complexity, rawness and radiance. In this secular “responsorium”, the orchestra accompanies and supports the voices, answers and challenges them. The voices call, Goebbels says, “either from the past or from my personal environment; idiosyncratic voices, traditional folk material. Rituals. Literature...”   “A House of Call is a magnificent new work,” the Financial Times enthused, reviewing the premiere performance. “Goebbels understands that music is theatre and knows how to construct a taut dramaturgy. He grabs the listeners by the lapels and drags them rapidly through the changing scenery of polyglot poetry and crackling phonograph recordings.” The work’s title derives from a passage, in James Joyce’s associatively dense Finnegans Wake, about “a prolonged visit to a house of call”. The phrase appears, Goebbels notes, “not far from the onomatopoetic ‘roaratorio’ that was to give John Cage’s radio play its name. A radio play that left a lasting impression on me...” The stream of utterances in Cage’s play finds an echo in A House of Call, where “le grain de la voix” – in Roland Barthes’ famous phrase – links the elements and acknowledges the commonality of the voices that have found their way into Heiner Goebbels’s “imaginary notebook.” The vocal, literary and musical frame of reference is very broad. The four part A House of Call begins with a response to Pierre Boulez’s Répons, and takes off from there, along the way encompassing references to Cassiber (Goebbels’ art rock band of the 1980s), to German dramatist Heiner Müller, Kazakh singer A

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