MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Twelve Moons was Jan Garbarek’s 20th album as a leader for ECM. It also happened to be the 500th ECM production. The figures say something about the value of endurance. Back at the beginning of this story George Russell claimed that Jan Garbarek would come to be regarded as the most important European improvising musician since Django Reinhardt. A remark that smacked of hyperbole at the time now seems credible.
There are very few European improvisors who can be said to have transcended their original influences and made a music that reflects their own life, their own experiences ("If you don't live it, it won't come out the horn" - C. Parker), but Garbarek is unquestionably one of them. Lessons learned from a wide range of role models - Coltrane, Ayler, Pharoah Sanders, Dexter Gordon, Ben Webster - have been completely integrated in a conception that is in many particulars specifically Norwegian yet is also universal, continually uncovering correspondences with the folk musics of the entire globe. "You might say that I live in a spiritual neighbourhood that is scattered geographically around the world." Thus Garbarek is equipped to move easily from, say, jazz ballads with Miroslav Vitous (Star, Atmos) to North Indian classical music, interacting with singer Ustad Fateh Ali Khan and his group on Ragas And Sagas. This is one aspect of the saxophonist's work. Along the way, working on his own projects, he has also learned much about the dynamics of band leadership, and how to staff his groups with provocative combinations of personnel, sparking new music by bringing together players from quite different cultures.
Twelve Moons was the first Garbarek Group record after 1990's I Took Up The Runes, and in the interim there had been one fundamental change in the line-up, with Marilyn Mazur replacing Nana Vasconcelos. The Danish percussionist, who joined Garbarek's group after leaving Miles Davis's, is less of a "colouristic" player than her predecessor. She stays closer to the heart of the rhythm, working closely with Parisian drummer Manu Katché to build lithe, limber grooves that the leader can deploy as launch-pads for his impassioned flights on soprano and tenor.
Eberhard Weber had been with Jan since 1981's Paths, Prints, though their association goes back further, to Ralph Towner's 1974 "Solstice" band. Rainer Brüninghaus joined the Garbarek unit in time for the 1984 recording of It's OK To Listen To The Gray Voice, strengthening the German contingent in the line-up; Brüninghaus, of course, was a charter member of Weber's Colours band in the 1970s.
The thrust of the Garbarek Group's music is multi-directional. If the rhythms are frequently earthy and almost tribal in feel, the synthesizer soundscapes (created by Garbarek himself on the title track, and by Brüninghaus elsewhere) are richly-textured and hypermodern. The ensemble sound is uncategorizable: Garbarek rejected the "jazz" category for his own work long ago. ("When people ask me what kind of music I play, I have to say 'I don't know.'")
The continuing commitment to Norwegian source musics is one of Twelve Moons' sub-themes. "Arietta" is an adaptation of a piece by Edward Grieg, whose 150th birthday is celebrated in Norway this year. Grieg, of course, also used Norwegian folk music to spur his creative imagination. The local colour intensifies on Twelve Moons when singer Agnes Buen Garnås and Mari Boine come to the fore. Garngs, whose acclaimed Rosensfole helped build a new audience for Norwegian music, performs the traditional "Psalm", arranged here by Garbarek and sung after the manner of Sogn's Ragnar Vidal. Vocalist Mari Boine, born in the Arctic circle in the area that her Sami people refuse to call Lapland, sings her own "D
Barcode and Identifiers Barcode: 7 31451 95002 5 Label Code: LC 2516 SPARS Code: DDD Rights SocietyBoxed: BIEM·MCPS Matrix / Runout: 519 500-2 01 / Matrix / RunoutMould ring: MADE IN GERMANY BY PMDC AD Mould SID Code: IFPI 01S4
Credits Bass - Eberhard Weber Design [Cover Design] - Barbara Wojirsch Drums - Manu Katché Engineer - Jan Erik Kongshaug Keyboards - Rainer Brüninghaus Percussion - Marilyn Mazur Photography By - Jan Jedlička Producer - Manfred Eicher Saxophone [Saxophones] - Jan Garbarek Vocals [Vocal] - Agnes Buen Garnås, Mari Boine
Notes Psalm sung in the tradition of Ragnar Vigdal, Sogn. Huhai includes the traditional Sami joik "Oskar-An'te". [Tracks 1.1 & 1.2] Excerpts of music composed for the film "Around The Year In Børfjord".
Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
Payment Methods Accepted
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Shipping Costs
Economy shipping
Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
Seller Information
2 year warranty. Our operations are fully GDPR compliant.
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