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The seller will ship the SACD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the SACD only for your ears. The SACD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the SACD + 0 conversion to recordable CD + cost of shipping of the SACD to Arizona + cost of shipping of the SACD from Arizona to your location paid in advance.
IMPEX RECORDS ANNOUNCES EXPANDED, 70 ANNIVERSARY AUDIOPHILE ISSUE OF ICONIC 1950 COLUMBIA RECORDS LP SING AND DANCE WITH FRANK SINATRA
(Los Angeles) IMPEX Records is pleased to announce September 30, 2020, Limited Edition release of Frank Sinatra’s iconic 1950 Columbia Records ten-inch LP Sing and Dance with Frank Sinatra. Originally issued in October 1950 the title was the singer’s first fully-conceived big-band jazz album to appear on a modern, long-play vinyl record. The 70th-anniversary limited edition LP and SACD/CD hybrid brims with rare, previously unreleased session material, outtakes, and alternate vocal takes from the original sessions and offers the exquisite audiophile-quality sound that IMPEX Records is noted for.
Created in cooperation with Sony Music’s Legacy Recordings, the new deluxe reissue was produced by noted Sinatra producer, author, and historian Charles L. Granata, and restored/remastered by six-time Grammy-winning recording engineer Andreas Meyer. The 33-RPM LP was cut by Chris Bellman at Bernie Grundman Mastering, Hollywood, and is being released on 180-Gram premium vinyl (pressed at RTI). The high-resolution SACD/CD hybrid version was authored by Gus Skinas at Super Audio Center/Sonoma Systems. Included in each edition is an extensive, full-color booklet designed by Robert Sliger, featuring a comprehensive historical essay, full discography/personnel listing, and detailed technical notes authored by Granata, PLUS a generous array of rare photographs, promotional artwork and unpublished visual ephemera pertaining to the album. The executive producers are Abey Fonn and Bob Bantz.
Rich in musical texture, this essential Sinatra classic – featuring the swing-style arrangements of George Siravo – marked a pivotal moment in 20th-Century pop music history, and represented the singer’s transition from tender crooner to hip, swinging sophisticate. These performances offer a flawless snapshot of Sinatra’s legendary musical craftsmanship as he reinvents himself for a new direction in his career—one that would hail his unparalleled success of the 1950s and ’60s.
For this commemorative release, IMPEX has augmented the album’s original eight songs (programmed in sequence on Side A of the LP) with a dazzling array of PREVIOUSLY UNRELEASED BONUS TRACKS including alternate takes, orchestra-only tracks and a revealing glimpse of Frank Sinatra in Columbia’s famed 30th Street Studio (circa 1949), personally directing every facet of the recording session. This exquisite, high-fidelity session offers the most concise, in-depth illustration of Frank Sinatra working his magic in the studio, and functioning as his own producer.
The IMPEX team has spared no expense or effort in the creation of this milestone recording. In keeping with the prestigious label’s reputation for meticulous sound, the 33-RPM vinyl LP has been transferred, restored and mastered in the analog domain from the original 15-ips session tapes: superior-sounding masters that have lain untouched in the Columbia Records vault for more than fifty years. These analogs, monophonic tape masters sound spectacular and shine as never before. The SACD/CD edition has been sourced, restored, and remastered from high-resolution digital transfers made concurrently with the LP’s analog tape and disc transfers.
Tracklist:
The Master Takes1. Lover (Rodgers-Hart) 2:392. It’s Only A Paper Moon (Rose-Harburg-Arlen) 1:563. My Blue Heaven (Whiting-Donaldson) 2:274. It All Depends On You (DeSylva, Brown & Henderson) 2:445. You Do Something to Me (Porter) 2:336. Should I (
Credits A&R [Sony/Legacy A&R] - John Jackson Art Direction, Design [Package Design] - Robert Sliger Artwork [Original Art Elements & Photos] - Charles Granata, Sony Music Archives, Tom Dwyer Authoring [SACD Authoring] - Gus Skinas Conductor [Orchestra Under The Direction Of] - George Siravo Edited By [Digital Editing], Mastered By [Digital Mastering] - Andreas Meyer Executive-Producer - Abey Fonn, Robert Bantz Liner Notes - Charles Granata Producer [Associate Producer] - Bob Donnelly, Martin Melucci Producer [Impex Special Edition Produced By] - Andreas K. Meyer, Charles Granata Project Manager [Project Director] - Henry Towns Research [Tape Vault & Archival Research] - Matt Kelly, Tom Tierney Transferred By [Analog-to-Digital Master Transfers] - Matt Cavaluzzo
Notes 70th Anniversary Limited Edition Hybrid Mono SACD Original 8 songs plus six bonus tracks. Track 11 is not on the LP version Frank Sinatra - Sing And Dance With Frank Sinatra. Transferred, restored & mastered digitally from original analog 15-ips session tapes except tracks 4, 13 and 14 from 16-inch lacquer discs. Full-color 28-page booklet Disc made in Germany. Packaged in USA.
Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
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Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
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