MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
The Psalms have been used for private and public worship for thousands of years. While they have been interpreted in numerous ways, they have been a source of hope and comfort for many. Gloriæ Dei Cantores presents the first of a three-volume series of the Psalms of David. Gloriæ Dei Cantores provides a wealth of experience in the communication of the rich texts of these psalms, having chanted the psalms for nearly three decades in worship services. Perfect for contemplative listening at any place or time, Thou Art My Refuge will be welcomed by all who love the Psalms for their beautiful poetry and spiritual depth.
CRITICAL ACCLAIM
“Anglican chant — a harmonized form of liturgical chanting, primarily of psalms – isn't like anything else in music. Although it’s closer in style to speech than traditional monodic Gregorian chant, the harmonizations – and thus the requirement for a particular type of singing ensemble – removes it from the impersonal and functional to the realm of a more artistic, performance-conscious purpose. To sing Anglican chant – and especially to sing it properly – you need a choir of mixed voices who have mastered the myriad aspects and subtleties of phrasing, inflection, articulation, tonal balances, dynamics, and the often debatable rules of pointing, not to mention the necessities of coordinating with the supporting – and sometimes ornamented – organ accompaniment. Outside of British record shops or cathedral gift stores, you rarely see a recording of real live Anglican chant – certainly not on this side of the Atlantic – so it’s refreshing to discover that the very fine Massachusetts based Gloriæ Dei Cantores, known for its many Gregorian chant recordings (among many other choral-music projects), has undertaken a three-volume series to explore, and hopefully expose new listeners to, this exceptional, unique, and affecting body of liturgical music.There are 22 psalm settings covered here, by a wide range of composers writing in predominantly traditional styles – in other words, this volume doesn’t contain any of the more recently composed or harmonically “adventurous” settings some listeners will be familiar with. What we do get is the essence of Anglican chant sound and style – and thanks to the superb efforts of this very sensitive, responsive choir, its knowing director, and a pair of first-rate organists, we experience something of the uniquely expressive power inherent in this manner of psalm-singing, which in its most accomplished form allows phrases to flow and important individual words their full presence and meaning.I was happy to hear several of my favorite settings – especially the Wesley for Psalms 42 and 43, the Goss for Psalm 11, and Aylward for Psalm 138 – as well as many beautiful unfamiliar ones. I only wish that the choir and organ were recorded in a more favorable – that is, less noisy – acoustic. Perhaps a bit more distance, or a slight dampening or reconfiguring of the live, resonant space would help. At any rate, it’s a treat to hear this music so well realized and enthusiastically sung (supported by some very nice organ work). I’m looking forward to volume 2!”David Vernier Classics Today
“... a delight to hear ... intonation and diction are of the highest order ... this recording could be especially helpful for private prayer and meditation.” “Volume 1 (of 3), Thou Art My Refuge, contains selections fr
Psalm 85 Lord, Thou Art Become Gracious Unto Thy Land
3:09
3
Psalm 120 When I Was In Trouble, I Called Upon The Lord
2:02
4
Psalm 25 Unto Thee O Lord Will I Lift Up My Soul
4:27
5
Psalm 61 Hear My Crying O God
2:07
6
Psalm Lord Remember David
4:27
7
Psalm 70 Haste Thee, O God, To Deliver Me
1:37
8
Psalm 130 Out Of The Deep Have I Called Unto Thee, O Lord
2:35
9
Psalm 6 O Lord, Rebuke Me Not In Thine Indignation
2:38
Psalm 42 And 43
12
Psalm 51 Have Mercy Upon Me, O God, After Thy Great Goodness
5:14
13
Psalm 49 O Hear This, All Ye People
4:43
14
Psalm 69 Save Me, O God
8:58
15
Psalm 137 By The Waters Of Babylon We Sat Down And Wept
3:10
16
Psalm 102 Hear My Prayer, O Lord
6:16
17
Psalm 138 I Will Give Thanks Unto Thee, O Lord, With My Whole Heart
2:46
18
Psalm 13 How Long Wilt Thou Forget Me, O Lord; Forever?
1:53
19
Psalm 64 Hear My Voice, O God, In My Prayer
2:28
20
Psalm 11 In the Lord Put I My Trust
2:02
21
Psalm 32 Blessed Is He Whose Unrighteousness Is Forgiven
3:35
Barcode Barcode: 7 09887 00382 0
Credits Choir - Gloriae Dei Cantores Design [Cover] - Sarah Andre Directed By - Elizabeth C. Patterson Engineer - Steve Colby Organ - David Chalmers, Sharon Rose Pfeiffer Painting [Cover] - Eustache Le Sueur Producer - Elizabeth C. Patterson, Richard K. Pugsley
Notes Recorded April 2005.
Note Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
SEPEA audio (Slovakia)
Overall Rating:
Feedback: No Feedback Yet Fill Rate: Statistic Not Available availability Response Time: Seller For: 8.1 months Transactions: 0
Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
Payment Methods Accepted
PayPal
Shipping Costs
Economy shipping
Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
Seller Information
2 year warranty. Our operations are fully GDPR compliant.
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
