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<a title="Beethoven: Symphony No. 9, Pittsburgh Symphony/ Manfred Honeck (1x HDCD) booklet" =" " target="_blank">View booklet here. Featuring: Christina Landshamer, Jennifer Johnson Cano, Werner Güra, Shenyang, and the Mendelssohn Choir of Pittsburgh
A New Beethoven 9 from Manfred Honeck and the Pittsburgh Symphony Orchestra
Reference Recordings® proudly presents Beethoven’s Symphony No. 9 in a new and definitive interpretation from Manfred Honeck and the Pittsburgh Symphony Orchestra. We are excited that this new release is part of the Orchestra’s 125th Anniversary joy! Other Orchestra events will include a weekend musical celebration and the release of a digital program on February 27, the 125th anniversary date of their very first concert.
This album was recorded in beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.
Maestro Honeck honors us again with his meticulous music notes, in which he gives us great insight into his unique interpretation as well as the history and musical structure of Beethoven’s most famous symphony.
This release is the eleventh in the highly acclaimed Pittsburgh Live! series of multichannel hybrid SACD releases on the FRESH! imprint from Reference Recordings. This series has received GRAMMY® Nominations in 2015, 2016, 2018, 2019 and 2020. Its recording of Shostakovich’s Symphony No.5 /Barber Adagio for Strings won the 2018 GRAMMY® Awards for Best Orchestral Performance and Best Engineered Classical Album.
The Pittsburgh Symphony Orchestra, always dedicated to artistic excellence, has a rich history of the world’s finest conductors and musicians. Past music directors have included many of the greats, including Fritz Reiner, William Steinberg, Andre Previn, Lorin Maazel and Mariss Jansons. This tradition of outstanding international music directors was furthered in fall 2008, when Austrian conductor Manfred Honeck became music director of the Pittsburgh Symphony.
The Pittsburgh Symphony Orchestra has always been at the forefront of championing new works, including recent commissions by Mason Bates, Jonathan Leshnoff, James MacMillan and Julia Wolfe. The Pittsburgh Symphony has a long and illustrious history in the areas of recordings and live radio broadcasts dating back to the 1930s. And, with a distinguished history of touring both domestically and overseas since 1900—including more than 37 international tours—the Pittsburgh Symphony continues to be critically acclaimed as one of the world’s greatest orchestras. Extra notes
This release and the entire <a =" ">Pittsburgh Live! series are recorded and mastered by the team at Soundmirror, whose outstanding orchestral, solo, opera and chamber recordings have received more than 130 GRAMMY® nominations and awards. For over 40 years, Soundmirror has recorded for every major classical record label, i
Credits Composed By - Ludwig van Beethoven Conductor - Manfred Honeck Engineer, Mixed By, Mastered By - Mark Donahue Orchestra - The Pittsburgh Symphony Orchestra Producer, Edited By - Dirk Sobotka
Notes Beethoven Symphony No. 9 in D minor, Op. 125 Recorded Live June 6-9, 2019 Heinz Hall for the Performing Arts, Pittsburgh, PA
Soundmirror, Boston Music Notes: Manfred Honeck Notes Editor and Coordinator: Mary Persin Technical Notes: Mark Donahue, Dirk Sobotka Art Director: Brian Hughes Front Cover Design: Brian Hughes Photo of Manfred Honeck: George Lange Photo of Pittsburgh Symphony Orchestra: Ed DeArmitt Photo of Christina Landshamer: Marco Borggreve Photo of Jennifer Johnson Cano: Fay Fox Green Photo of Werner Gura: Marie Capesius Photo of Shenyang: Gaoqiang Xia Photo of Mendelssohn Choir of Pittsburgh: Alisa Garin
Pittsburgh Symphony Orchestra recordings are made possible by generous grants from BNY Mellon, Hansen Foundation, and Cheryl and Jim Redmond. This recording is also in memory of Dr. John H. Feist and Madeline P. Feist.
SEPEA audio (Slovakia)
Overall Rating:
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Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
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Shipping Costs
Economy shipping
Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
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2 year warranty. Our operations are fully GDPR compliant.
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