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Bob Dylan

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Bob Dylan: Another Side Of Bob Dylan - Hybrid UltraDisc UHR SACD, Limited, Numbered, Remastered

                 



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Format: SACD
Condition: MINT (M)    More Info
Label: Mobile Fidelity Sound Lab 88697926762
Country: US
Released: 2012-08
Genre: Pop-Rock
Barcode: 821797209564
Quantity: 1 in stock
Seller Ref:   UDSACD2095

   RECORDED IN ONE DAY: WHIMSICAL FEEL, SURREALIST LYRICS, ON-THE-FLY FLUIDNESS

The ever-evasive Bob Dylan never explicitly stated exactly what represented the "another side" of himself referenced in the title to his second 1964 record. Yet the whimsical moods, hallucinogenic prose, humorous angles, transparent mistakes, and noncommittal themes give a pretty clear idea at what the Bard hinted as he emerged from being labeled as a reluctant generation spokesperson and folk savior after releasing two highly intellectual, socially pioneering sets replete with protest songs. Dylan needed to take a breath, step back from the drama, and reevaluate his surroundings. Another Side of Bob Dylan is all that and more.   

  • All I Really Want to Do
  • Black Crow Blues
  • Spanish Harlem Incident
  • Chimes of Freedom
  • I Shall Be Free, No. 10
  • To Ramona
  • Motorpsycho Nightmare
  • My Back Pages
  • I Don't Believe You
  • Ballad in Plain D
  • It Ain't Me Babe
  •       

    As part of its Bob Dylan catalog restoration series, Mobile Fidelity is thoroughly humbled to have the privilege of mastering the iconic album from the original master tapes and making it available on hybrid SACD. The end result is the very finest, most transparent digital stereo edition of Another Side of Bob Dylan ever produced. Be there as the Minnesota native spends the evening of June 9, 1964 in Columbia's Studio A and, displaying an openness he'd never before revealed in a formal environment, lays down the songs that compromise his fourth album.

    Featuring minimal editing, Another Side of Bob Dylan is naked, truthful, and whimsical. Mobile Fidelity's reissue illuminates the artist's condition – he laughs in the midst of songs, experiences a few false starts, hits a couple of bum notes, occasionally sings as if he's stumbling down a Manhattan sidewalk after having one too many at a smoky pub, prizes rawness over perfection – with microscopic accuracy. Indeed, Dylan's slightly woozy and completely playful state related to his having downed a handful of bottles of Beaujolais during the sessions.

    The uninhibited joie de vive is discernable in the rattling piano lines on "Black Crow Blues," seemingly subconscious ramble of the hysterical folk rhyming of "Motorpsycho Nightmare," bluesy dream sequencing throughout "I Don't Believe You," and intentionally out-of-tune yodeling during "All I Really Want to Do." On a majority of the prized set, Dylan lets his guard down, but does so in clever manners that speak to his surrealist imagination and biting wit. He possesses the rare ability to make planned strategies appear spontaneous, to challenge audiences with stinting wordplay and minimalist melodies that provide a deceptive false security.

    And so the apparently autobiographical and self-aware "My Back Pages," one of the earliest examples of Dylan's immersion into symbolist prose and abstract metaphor, remains controversial for its on-the-surface denouncement of his earlier condemnations of social institutions and injustices. Peeled back, the tune is a brilliant release – an essential escape hatch for Dylan to both rel

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    Tracklist
     
    1All I Really Want To Do4:08
    2Black Crow Blues3:17
    3Spanish Harlem Incident2:29
    4Chimes Of Freedom7:13
    5I Shall Be Free No. 104:52
    6To Ramona3:56
    7Motorpsycho Nitemare4:36
    8My Back Pages4:28
    9I Don't Believe You4:26
    10Ballad In Plain D8:21
    11It Ain't Me Babe3:36


    Barcode and Identifiers
    BarcodeScanned, UPC_A: 821797209564
    Barcode: 8 21797 20956 4
    Matrix / RunoutSACD layer: Sony DADC A0101973504-A911 18 A00
    Mastering SID CodeSACD layer: IFPI L558
    Matrix / RunoutCD layer, A00 mirrored: Sony DADC A0101973504-B911 38 A00
    Mastering SID CodeCD layer: IFPI L558
    Mould SID Code: IFPI 94A8


    Credits
    Design [For MFSL] - John A. Beck
    Mastered By - Rob LoVerde
    Mixed By - Michael H. Brauer, Steve Berkowitz
    Photography By [Additional] - Daniel Kramer, Henry Parker, Sandy Speiser
    Photography By [Cover Photo] - Sandy Speiser
    Producer [Produced By] - Tom Wilson
    Songwriter, Liner Notes [Poems By] - Bob Dylan

    Notes
    Originally released 1964

    [On back cover]
    Made in the U.S.A

    [On spine]
    Printed in the U.S.A.

    Issued as a 4-panel digisleeve with a 16-page booklet, SACD and 4-panel MoFi catalog inserted into the right hand slot.

    Track durations are not printed on the release


    Note
    Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
         
    SEPEA audio

    SEPEA audio (Slovakia)

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