MusicStack has partnered with a vinyl to CD conversion service who will convert the LP 180 Gram to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP 180 Gram to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP 180 Gram only for your ears. The LP 180 Gram and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP 180 Gram + $35 USD for the conversion to recordable CD + cost of shipping of the LP 180 Gram to Arizona + cost of shipping of the LP 180 Gram from Arizona to your location paid in advance.
The twin tenor sax tradition yielded grand pairings with the likes of Wardell Gray and Dexter Gordon, Arnett Cobb and Eddie 'Lockjaw' Davis, Gene Ammons and Sonny Stitt, and Al Cohn and Zoot Sims. This one-shot teaming of Charlie Rouse and Paul Quinichette brought forth a union of two distinctly different mannerisms within the mainstream jazz continuum. Rouse, who would go on to prolific work with Thelonious Monk and was at this time working with French horn icon Julius Watkins, developed a fluid signature sound that came out of the more strident and chatty style heard here. By this time in 1957, Quinichette, nicknamed the Vice Prez for his similar approach to Lester Young, was well established in the short term with Count Basie. His liquid, full-bodied, soulful tone became an undeniable force, albeit briefly, before he dropped out of the scene shortly after this date to be an electrical engineer. The stereo split of the saxophonists in opposite channels, a technique endemic of the time, works well whether they play solos or melody lines together. It enables you to truly hear how different they are. Working with standards, there's a tendency for them to play the head arrangements in unison, but then one of them on occasion plays an off-the-cuff short phrase that strays from the established melodic path. They also seem to do a hard bop jam, then a ballad, and back to hard swinging. The title track is simply a killer, a perfect fun romp of battling duelists, and one that you'd like to hear in any nightclub setting. Some slight harmonic inserts set "This Can't Be Love" apart from the original and "The Things I Love" displays the two tenors at their conversational best, while the lone original, "Knittin'", is a fundamental 12-bar swing blues, straight up and simple but with some subtle harmonic nuances. The rhythm section of pianist Wynton Kelly, bass player Wendell Marshall, and drummer Ed Thigpen do their usual yeoman job. But on two tracks, pianist Hank Jones and rhythm guitarist Freddie Green take over, and the sound of the band changes dramatically to the more sensitive side on a low-down version of "When The Blues Come On" and the good-old basic vintage swinger "You're Cheating Yourself". The combination of Rouse and Quinichette was a very satisfactory coupling of two talented and promising post-swing to bop individualists, who played to all of their strengths and differences on this worthy -- and now legendary -- session.
Die Tradition des paarweisen Tenorsaxophonspiels spiegelte sich in großen Kombinationen wie Wardell Gray und Dexter Gordon, Arnett Cobb und Eddie 'Lockjaw' Davis, Gene Ammons und Sonny Stitt sowie Al Cohn und Zoot Sims. Dieses einmalige Treffen von Charlie Rouse und Paul Quinichette vereint zwei stark unterschiedliche Charaktere innerhalb des Mainstream-Jazz-Kontinuums. Rouse, der danach seine überaus produktive Arbeit mit Thelonious Monk begann und zu der Zeit mit dem berühmten Waldhornspieler Julius Watkins zusammenarbeitete, entwickelte einen für ihn typischen fließenden Sound, der sich aus dem eher schlanken und gesprächigen Stil entwickelte, der hier zu hören ist. Zu dieser Zeit, im Jahr 1957, stand Quinichette - mit dem Spitznamen 'Vice Prez' versehen wegen seiner ähnlichen Herangehensweise wie Lester Young - bereits auf bestem Fuß mit Count Basie. Seine fließende, vollmundige Spielweise voller Soul wurde zur unleugbaren Kraft, wenn auch nur kurz, ehe er kurz danach aus der Szene ausschied, um Elektroingenieur zu werden. Die Technik, bei Stereoaufnahmen die beiden Saxophone auf verschiedenen Kanälen aufzunehmen, war typisch für jene Zeit, und das Ergebnis ist gut, egal, ob Soli oder eine gemeinsame Melodie gespielt wird. So hat man die Möglichkeit, genau zu hören, wie verschieden die Beiden sind. Bei Standards haben sie die Tendenz, die Hauptarrangements gemeinsam zu spielen, dann aber spielt einer gelegentlich einen abwei
Credits Bass - Wendell Marshall Drums - Ed Thigpen Guitar - Freddie Green Piano - Hank Jones, Wynton Kelly Tenor Saxophone - Charlie Rouse, Paul Quinichette
Notes #A1,A3,A4,B2-B4: Recorded New York City, August 29, 1957. #A2,B1: Recorded New York City, September 8, 1957.
New 180 gram audiophile pressing
Note Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
SEPEA audio (Slovakia)
Overall Rating:
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Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
Payment Methods Accepted
PayPal
Shipping Costs
Economy shipping
Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
Seller Information
2 year warranty. Our operations are fully GDPR compliant.
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