MusicStack has partnered with a vinyl to CD conversion service who will convert the LP 180 Gram to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP 180 Gram to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP 180 Gram only for your ears. The LP 180 Gram and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP 180 Gram + $35 USD for the conversion to recordable CD + cost of shipping of the LP 180 Gram to Arizona + cost of shipping of the LP 180 Gram from Arizona to your location paid in advance.
Ben Webster is still a whale of a tenor player, his approach for the ballads being as poignant and lyrical as ever. On such romantic tunes as "My Romance" and "What's New" that breathy tone and broad-beamed phrasing are well in evidence, whilst the underlying humour and swing are more to the fore in the more muscular "Easy To Love". "Autumn Leaves" is great Webster. The tempo is exactly right and Ben is in the groove from the start. The pianist is a long way away from Ben's beloved stride men, but he swings gently and forms nice background patterns for the tenor player's improvisations. The bass has been somewhat heavily recorded, but his drive is admirable nevertheless. "Stardust", a lovely tune but sometime a drag for jazz improvisation, shows that Ben is a real master of flowing, keenly phrased ballad construction. "Yesterdays" is played so close to the microphone that momentarily I suspected a gas leak. But Ben always has that aerated vibrato well under control, and never overdoes what has throughout the years become something of a mannerism in his playing. The best track, by far, is "Duke's Blue Light" (later "Transbluency"), where if ever a man sang the blues on his instrument, this is it. Ben's solo choruses are peerlessly constructed, and the final one is a real cry from the heart. Meyer's band give him such excellent support that one could wish more were heard from them. There is a splendid trombone chorus from "Darville", the pianist plays most sympathetically, and the ensembles sound full and warm. But mostly this is Ben in his most devastatingly romantic mood. The tunes are, by-and-large, well worth doing, and anyway Ben makes them sound that way. Nothing ever rags, the pulse is always strong and the accompaniments well suited to Webster’s lustrous, lusty blowing. Black Lion are to be congratulated on presentation - good sleeve notes, gay covers and good stereo reproduction.
Ben Webster ist nach wie vor eine wahre musikalische Größe auf dem Tenorsaxophon. Seine Stücke sind gefühlvoll und ergreifend, wie man es von ihm gewohnt ist. Webster zeigt seine breit gefächerte Ausdrucksweise, mit hauchigem Ton spielt er die romantischen Melodien, wie "My Romance“ und "What's New“. Mit frischen Tönen ist "Easy To Love“ Swing mit Humor unterlegt, "Autumn Leaves“ hat perfektes Timing und Groove von Anfang an. Der Pianist der Begleitband gehört zwar nicht zu Websters üblichen Mitstreitern, das hindert ihn aber nicht, eine weich swingende Begleitung zu Websters Improvisationen zu schaffen. Der Bass klingt in den Aufnahmen recht stark ausgesteuert, der Drive, den er dabei ausstrahlt ist allerdings ein echter Gewinn. Die Melodie "Stardust“ ist wunderschön und sie bereitet manchen Musikern Schwierigkeiten beim Improvisieren - aber das gilt nicht für Ben Webster. Hier zeigt er, dass er die Kombination aus Fluss und frischem Ausdruck meisterhaft beherrscht. Das Stück "Yesterdays“ ist so dicht am Mikrophon gespielt, dass man ein 'Gasleck' befürchtet. Aber Ben Webster übertreibt nie, er hat sein bereits über Jahre kultiviertes 'Gasstrom-Vibrato' unter Kontrolle. Eine großartige Aufnahme ist "Duke's Blue Light“ ("Transbluency“). Wenn jemals ein Blues auf einem Instrument gesungen wurde, dann auf dieser Aufnahme. Websters Soli sind beispiellos und sein letztes ist wie ein Ruf aus dem Herzen. Die Begleitung durch die Band (Meyer’s Band) ist so gut, dass man gern mehr von ihr hören möchte. Herauszuheben wären zum Beispiel ein brillantes Posaunensolo in "Darville“, das Pianospiel ist einfühlsam und das E
Barcode and Identifiers BarcodeSticker: 5060149620588 Matrix / RunoutRunout side A - machine stamped: BLPP-30105-A 16439- Matrix / RunoutRunout side B - machine stamped: BLPP-30105-B 16439-
Credits Bass - Henrik Hartmann (Tracks: A1, B4), Hugo Rasmussen (Tracks: B2), Niels-Henning Ørsted Pedersen (Tracks: A2, A3, A4, B1, B3) Design - Hamish & Gustav Drums - Alex Riel (Tracks: A2, A3, A4, B1, B3), Hans Nymand (Tracks: A1, B2, B4) Engineer - Birger Svan Photography By - David Redfern Piano - Kenny Drew (Tracks: A2, A3, A4, B1, B3), Niels Jørgen Steen (Tracks: A1, B2, B4) Producer - Alan Bates Remastered By - Sean Magee Sleeve Notes - Alun Morgan Tenor Saxophone - Ben Webster, Ole Kongsted (Tracks: A1, B2, B4) Trombone - John Darville (Tracks: A1, B2, B4) Trumpet - Arnvid Meyer
Notes Pure Pleasure www.purepleasure.com 180 g Virgin Vinyl High Quality Pressing Audiophile Mastering
Note Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
SEPEA audio (Slovakia)
Overall Rating:
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Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
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Shipping Costs
Economy shipping
Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
Seller Information
2 year warranty. Our operations are fully GDPR compliant.
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