MusicStack has partnered with a vinyl to CD conversion service who will convert the LP 180 Gram to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP 180 Gram to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP 180 Gram only for your ears. The LP 180 Gram and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP 180 Gram + $35 USD for the conversion to recordable CD + cost of shipping of the LP 180 Gram to Arizona + cost of shipping of the LP 180 Gram from Arizona to your location paid in advance.
Still riding the success of his triumphant concert at the 1956 Newport Jazz Festival, Duke Ellington in 1958 decided to reduce his touring orchestra to a nonet dubbed "the Spacemen", and recorded this lone project with them for the Columbia label. Perhaps inspired by the first orbiting satellites, Ellington is not taking cues from George Russell or Sun Ra, whose extraterrestrial inspirations led them to even more progressive paths. This large ensemble is playing mostly standards, but the arrangements and solos carve an integrated yet elasticized concept that allows for a more expanded role for the ensemble's trombonists Quentin 'Butter' Jackson, John Sanders, and Britt Woodman, and select soloists. One in the solo spotlight is Clark Terry on flugelhorn exclusively, putting his fabled trumpet aside. The classic material presented includes clarinetist Jimmy Hamilton's features "Avalon" and "Early Autumn", the slinky stripper pole blues version of "St. Louis Blues" with Ellington's piano taking the lead, and a version of "Body & Soul", with tenor saxophonist Paul Gonsalves completely extrapolating and re-harmonizing the tune. There's a modified "Perdido", an animated and perky "Midnight Sun" that deviates from any other slow and lugubrious version of the ballad, and "Jones" a real good swinger. There are two originals; the blues bass of Jimmy Woode and the 'bones with plentiful piano from Duke infusing "Bass-Ment", and one of the more delightful of all of Ellington's book, the poppin' and boppin' "Spacemen", a bright happy horn chart led by Terry that is one of the more distinctive Ellington numbers of this time period. It comes highly recommended.
Duke Ellington schwamm nach dem Newport Jazz Festival von 1956 noch auf der Woge seines triumphalen Erfolgs, als er 1958 beschloss, sein Tournee-Orchester auf ein Nonett zu reduzieren, das dann "The Spacemen" tituliert wurde, und mit ihnen nahm er dies einzelne Projekt für Columbia auf. Eventuell inspiriert durch erste Satelliten in der Umlaufbahn reagierte Ellington aber dennoch auf keines der Einsatzzeichen seitens George Russells oder Sun Ras, deren außerirdische Inspirationen sie auf noch progressivere Pfade führten. Dieses große Ensemble spielt hauptsächlich Standards, aber die Arrangements und Soli drücken ihnen ein integrierenden und dennoch geschmeidigen Stempel auf, der den Posaunisten des Ensembles, Quentin 'Butter' Jackson, John Sanders und Britt Woodman ebenso ermöglicht, eine größere Rolle zu spielen wie verschiedenen anderen Solisten. Einer davon ist Clark Terry mit seinem Flügelhorn - die berühmte Trompete hat er beiseite gelegt. Das klassische Material, das hier präsentiert wird, enthält auch Jimmy Hamiltons Stücke "Avalon" und "Early Autumn", die Blues-Version von "St. Louis Blues" für eine katzengleiche Stripperin an ihrer Stange, bei der Ellingtons Klavier die Führung übernimmt, sowie eine Variante von "Body & Soul", bei der Tenorsaxophonist Paul Gonsalves die Melodie komplett extrapoliert und neu harmonisiert. Es gibt ein verändertes "Perdido", ein belebtes und flottes "Midnight Sun", das sich von sämtlichen anderen langsamen und düsteren Versionen dieses Songs unterscheidet und "Jones" ist echt guter Swing. Zwei Eigenkompositionen sind dabei: der Blues-Bass von Jimmy Woode und Ellingtons Klavierspiel treiben "Bass-Ment" an und das poppige und boppige "Spacemen", eins der reizvollsten aus Ellingtons Werke-Verzeichnis, ein helles und fröhliches Bläser-Stück unter Führung von Terry und charakteristischsten Ellington-Stücke aus dieser Zeit. Diese LP kommt mit den wärmsten Empfehlungen. Pure Pleasure Audiophile Jazz Vinyl Record, LP 33rpm, Mono, Analogue Limited Edition Audiophile Remastering. Released 11.4.2013 In UK.
Credits Bass - Jimmy Woode Clarinet - Jimmy Hamilton Drums - Sam Woodyard Liner Notes - Irving Townsend Photography By - Bob Parent Piano - Duke Ellington Tenor Saxophone - Paul Gonsalves Trombone - Britt Woodman, John Sanders, Quentin Jackson Trumpet - Clark Terry
Notes Recorded at Columbia 30th Street Studio, New York on April 2 and April 3, 1958
Red and Black Label, Mono, 6-eye
Note Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
SEPEA audio (Slovakia)
Overall Rating:
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Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
Payment Methods Accepted
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Shipping Costs
Economy shipping
Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
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2 year warranty. Our operations are fully GDPR compliant.
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