MusicStack has partnered with a vinyl to CD conversion service who will convert the 3LP 180 Gram to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the 3LP 180 Gram to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the 3LP 180 Gram only for your ears. The 3LP 180 Gram and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the 3LP 180 Gram + $75 USD for the conversion to recordable CD + cost of shipping of the 3LP 180 Gram to Arizona + cost of shipping of the 3LP 180 Gram from Arizona to your location paid in advance.
»This is a problem recording, and even fans of Leonard Bernstein and Marilyn Horne will find it odd« writes a large mail-order media company about this "Carmen" production. However, discerning listeners who submerge themselves in the music will soon conclude that the problem is rather to be found among the many highly acclaimed and styled-up other recordings that present the fiery musical portrait as a sanitized, spirited indoor ballet. This is very different from Bernstein, who hints at the work’s inevitable tragedy already in the agonisingly weighty clashing cymbals of the surprisingly slow opening. His rustic-sounding street scenes are filled with vaudeville, raw and authentic, and so typical of how people behave when they dance out-of-doors. This Carmen is far closer to the cracking "Westside Story" than a saturated "Traviata". Marilyn Horne in the title role lends the full-blooded Carmen such an incredible voice in all manner of moods that one can hardly believe that we are listening to just one singer. One minute we hear the bright voice of a young girl lusting for life, and in the next minute the mezzo-like pained cry of a man-killing heroine. James McCracken has a distinctive dry voice, which is full of rousing passion, and is ideal in the role of Don José. He is complemented by the dramatic, powerful baritone Tom Krause as the torero Escamillo. Harry Pearson, the founder and former Editor in Chief of the specialist magazine "The Absolute Sound", accorded this outstanding recording a regular mention in his 'super disc' list – no problem! This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under . All royalties and mechanical rights have been paid.
»Diese Aufnahme ist ein Problem und sogar Anhänger von Leonard Bernstein und Marilyn Horne finden sie seltsam«, urteilt ein großer Medienversand über diese "Carmen"-Ausgabe. Wer sich nun aufmerksam lauschend in die Musik versenkt, kommt bald zu dem Schluss, dass das Problem eher bei den vielen hochgejubelten und aufgestylten Vergleichseinspielungen liegt, die das brodelnde Milieustück als desinfiziertes, schmissiges Indoor-Ballett eindosen. Ganz anders Bernstein, der in seinem Dirigat die unausweichliche Tragik des Stücks bereits in den quälend wuchtigen Beckenschlägen der überraschend moderat getakteten Eröffnung andeutet. Seine rustikal musizierten Straßenszenen leben das Vaudeville-Sujet, rau und authentisch, wie es beim Volk zugeht, wenn es unter freiem Himmel tanzt. So steht diese Carmen der krachenden "Westside Story" weitaus näher als einer saturierten Traviata. Marilyn Horne in der Titelrolle gibt allen Vollweiblaunen eine Stimme, von der man kaum glauben mag, dass sie aus nur einer Kehle entspringt: Eben noch der helle Gesang eines lebenslüsternen Mädchens, im nächsten Moment das mezzohaft orgelnde Organ einer männermordenen Heroine. James McCracken gibt mit unverkennbar trockener Stimme und doch aufwühlender Leidenschaft einen ideal besetzen Don José, dem ein dramataisch baritonaler Tom Krause als potenter Toreo Escamillo gegenübersteht. Harry Pearson, dem Gründer und ehemaligen Herausgeber des Fachblatts "The Absolute Sound", ist diese überragende Schallplatte sogar ein Stammplatz in seiner 'superdisc list' wert – kein Problem! Diese Speakers Corner Produktion wurde unter Verwendung von analogem Masterband und Mastering 100% rein analog gefertigt. Mehr Informationen unter . Alle Lizenzen und GEMA-Beiträge wurden abgeführt. Speakers Cor
Credits Chorus - Metropolitan Opera Chorus Composed By - Georges Bizet Conductor - Leonard Bernstein Orchestra - The Metropolitan Opera House Orchestra Vocals - Adriana Maliponte, Andrea Velis, Colette Boky, Donald Gramm, James McCracken, Marcia Baldwin, Marilyn Horne, Russell Christopher, Tom Krause
Notes The recording was made in New York City.
The 3-LP set comes in a hinged box made of thick cardboard and includes a 4-color, 12” x 12”, 70-page perfect bound book featuring the full libretto; profiles of the conductor and performers; and many photos.
The set includes printed, poly-lined, audiophile-grade inner sleeves to hold the LPs.
The album is on the prestigious TAS list, a list of the greatest audiophile recordings compiled by the editors of The Absolute Sound magazine.
Note Tracklisting is supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
SEPEA audio (Slovakia)
Overall Rating:
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Vinyl
Absolutely perfect in every way. Certainly never been played, possibly even still sealed. Should be used sparingly as a grade, if at all.
CD
Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
Cassette
J-Card is crisp, clean and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all.
Near Mint (NM or M-)
Vinyl
A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc.
CD
Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully.
Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
Cassette
Sleeve should be totally crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage.
Very Good Plus (VG+)
Vinyl
Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Defects should be more of a cosmetic nature, not affecting the actual playback as a whole. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint.
CD
A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused.
Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
Cassette
Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken very good care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation.
Very Good (VG)
Vinyl
Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price.
CD
Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
Cassette
Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music.
Good (G), Good Plus (G+)
Vinyl
Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback.
CD
There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all.
Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip.
Cassette
Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music.
Poor (P), Fair (F)
Vinyl
Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon.
CD
The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
Cassette
Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through.
Standard Jewel Cases
Standard Jewel Cases are not graded as they are replaceable.
Generic
The term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the listing.
Payment Methods Accepted
PayPal
Shipping Costs
Economy shipping
Economy international shipping / 22€
Return Policy
If your order is lost, stolen or never arrives we will replace the order or refund your money 100%. If your order is damaged in transit please claim the damage to the forwarder in the moment of delivery and we will replace the order or refund your money 100% We accept returns within the period of 14 days in the same condition we sent them to you. Buyer pays all return shipping costs. No unsealed media returns If we make a mistake we will pay all return shipping costs and correct the order or refund you. Used or refurbished products has no return policy.
Seller Information
2 year warranty. Our operations are fully GDPR compliant.
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