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Buy both the LP and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
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Format: | | LP Want this on CD also?
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Condition: | | Click for Information |
Label: | | Digitalis DIGI 063LP |
Country: | | USA |
Quantity: | | 1 in stock |
Seller Ref: | | 58874 |
Following on from a couple of strong releases as part of his Lumisokea duo for Opal Tapes, Koenraad Ecker returns with his most intriguing release to date, the first Digitalis release for 2014. Straddling the line between analog electronics, darkened ambience and slow techno, Koenraad Ecker recalls the colossal drone-noise of Mika Vainio and the sharpened bass frequencies of Joachim Nordwall, albeit shot-from-the-hip in a manner befitting his connection with Opal Tapes. Fourteen-minute opener "Oran" is sprawling and resolute, spread across two parts that display Ecker's compositional chops through an impressive mix of blacked-out electronics and horror-filled cello passages. Inside long, drawn out sequences, Ecker avoids repetition and beats down a tonal path where the structure of each piece is dynamic yet cohesive. Sparse beats end up in a death spiral, competing with Ecker's cello and bleak electronics that fill the empty spaces. Like the slow burn of a lit fuse, "One-Eye" crawls through layers of decay before exploding midway through into incalculable chaos. Square waves blot out difficult melodies only to suddenly disappear like a corroded hallucination while white noise builds from short crackles into cavernous rhythms.
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