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Sarah Vaughan

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No Count Sarah

                 


            



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Format: LP     Want this on CD also?

Condition: VERY GOOD (VG) / VERY GOOD PLUS (VG+) (Media / Cover)    More Info
Label: Mercury MG20441
Country: US
Released: 1959
Genre: Vocal
Num In Set: 1
Quantity: 1 in stock
Seller Ref:   2020512518 DS52 CH

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Tracklist
 
A1Smoke Gets In Your Eyes3:55
A2Doodlin'4:00
A3Darn That Dream3:47
A4Just One Of Those Things2:27
A5Moonlight In Vermont3:17
B1No 'Count Blues5:24
B2Cheek To Cheek5:15
B3Stardust3:14
B4Missing You3:26


Identifiers
Matrix / RunoutSide A runout: MGC 20441A MS2 (stamped)
Matrix / RunoutSide b runout: MGC 20441B MS2 (stamped)


Credits
Arranged By - Frank Foster, Johnny Mandel, Thad Jones
Bass - Richard Davis
Drums - Sonny Payne
Guitar - Freddie Green
Piano - Ronnell Bright
Producer - Jack Tracy
Recorded By - Hal Mooney
Saxophone - Billy Mitchell, Charlie Fowlkes, Frank Foster, Frank Wess, Marshall Royal
Trombone - Al Grey, Benny Powell, Henry Coker
Trumpet - Eugene Young, Thad Jones, Wendell Culley
Vocals - Sarah Vaughan

Notes
"No Count Sarah" Stereo Version

This Mercury Custom Hi Fidelity recording is the result of the most modern recording technique of our time. The masters for this album were transferred through an Ampex 301 tape machine, a Pultec Filter and Equalizer, Altec limiting amplifiers, Mac Intosh monitor amplifier and a 150 watt power amplifier designed especially to drive the BBC Grampian Feedback Cutting Head.

This monaural disc can be played equally well with either a STEREO cartridge or a STANDART 1 mil microgroove cartridge.

Because of the fine technical equipment used in the recording of these masters, one is assured of the most faithful reproduction in the transfer from original recording to the final masters user for processing.


HI-FInformation:

For this recording session the brass and the rhythm section and piano were on the right channel. Accent mikes utilized included: troumbones - RCA 44-BX; trumpets - RCA 44-BX; bass - RCA 44-BX; drums - RCA 44-BX; guitar - RCA 44-BX; On the left channel were the following, thru the accent mikes listed: Sarah Vaughan - Telefunken U-47; reeds - Telefunken U-47; and piano - Telefunken U-47. For monaural, the same accent mikes utilized with all feeding into a Ampex 300 monaural tape recorder. For Stereo, the two tracks were fed into an Ampex 350-2.

The stereo session is interesting in that this was the first time that Mercury ever used all one type mike on one channel, while all of another type of mike was used on the opposite channel.


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
     
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