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Buy both the LP and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
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Format: | | LP Want this on CD also?
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Condition: | | VERY GOOD PLUS (VG+) / VERY GOOD (VG) (Media / Cover) More Info |
Label: | | Capitol Records M11027 |
Country: | | US |
Genre: | | Big Band |
Num In Set: | | 1 |
Quantity: | | 1 in stock |
Seller Ref: | | 2489565041 |
Slight ring wear / slight water stains lower back cover
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Tracklist
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A1 | Blues In Riff | 2:52 | A2 | Riff Rhapsody | 3:12 | A3 | Coop's Solo | 3:13 | A4 | Riff Raff | 3:07 | A5 | Of All Things | 3:14 | B1 | Opus In Beige | 2:26 | B2 | Artistry In Blues | 2:43 | B3 | Design For Blue | 4:50 | B4 | Wagon | 3:03 | B5 | Piece For Soft Brass, Woodwinds & Percussion | 8:35 |
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Identifiers
Matrix / RunoutSide 1, etched: M-1-11027-H4 Matrix / RunoutSide 2, etched: M-2-11027-W1 Pressing Plant IDetched either side 2" to right of other digits: —◁
Credits Alto Saxophone - Art Pepper (Tracks: A1, A2, A3), Bud Shank (Tracks: A1, A2, A3), Charlie Mariano (Tracks: A5, B1), Davey Schildkraut (Tracks: A5), Dick Meldonian (Tracks: A4), Gabe Baltazar (Tracks: B4), Lennie Niehaus (Tracks: A4, B1, B2, B3) Baritone Saxophone - Bill Robinson (Tracks: B2), Billy Root (Tracks: B3), Bob Gioga (Tracks: A1, A2, A3, A4), Marvin Holladay (Tracks: B4), Pepper Adams (Tracks: B1), Steve Perlow (Tracks: B2), Sture Swenson (Tracks: B3), Tony Ferina (Tracks: A5) Bass - Don Bagley (Tracks: A1, A2, A3, A4, A5, B1), John Worster (Tracks: B5), Peter Chivily (Tracks: B4), Thomas Kelly (Tracks: B2, B3) Bass Saxophone - Wayne Dunstan (Tracks: B4) Bass Trombone - Bart Varsalona (Tracks: A1, A2), Bill Smiley (Tracks: B3), Bob Olson (Tracks: B3), Bobby Knight (Tracks: B4), George Roberts (Tracks: A3, A4, A5), Jim Amlotte (Tracks: B4, B5), Kenny Shroyer (Tracks: B1, B2) Design - Jan Fijnheer Drums - Artie Anton (Tracks: B4), Frank Capp (Tracks: A4), Jerry McKenzie (Tracks: B2, B3), Mel Lewis (Tracks: B1), Nick Ceroli (Tracks: B5), Shelly Manne (Tracks: A1, A2, A3), Stan Levey (Tracks: A5) French Horn - Art Maebe (Tracks: B5), John Cave (Tracks: B5), Richard Perissi (Tracks: B5), Vincent DeRosa (Tracks: B5), William Hinshaw (Tracks: B5) Guitar - Bob Lesher (Tracks: A5), Dennis Budimir (Tracks: B5), Laurindo Almeida (Tracks: A1), Ralph Blaze (Tracks: A2, A3, A4, B1) Mellophone [Mellophonium] - Bill Horan (Tracks: B4) Mell - Dwight Carver
Notes "Rare and previously unissued compositions." Different matrix/runouts from other submissions, slightly different center labels.
PROs: A1, A5, B2: ASCAP. A2-A4, B1, B3-B5: BMI. Track B3 spelled "Designed For Blue" on center label but BMI has it as "Design For Blue".
Track A1 recorded in Hollywood, February 5, 1950. Track A2 recorded in Hollywood, March 28 1951. Track A3 recorded in Hollywood, September 19, 1951. Track A4 recorded in Hollywood, March 18, 1952. Track A5 recorded in Hollywood, March 1, 1954. Track B1 recorded in Hollywood, December 12, 1956. Track B2 recorded Balboa Beach, October 10, 1957. Track B3 recorded in Las Vegas, February 2, 1959. Track B4 recorded in Hollywood, September 20, 1960. Track B5 recorded in Hollywood, September 29, 1965.
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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