MusicStack has partnered with a vinyl to CD conversion service who will convert the 2LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the 2LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the 2LP only for your ears. The 2LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the 2LP + $60 USD for the conversion to recordable CD + cost of shipping of the 2LP to Arizona + cost of shipping of the 2LP from Arizona to your location paid in advance.
Factory Now NOT Sealed with Featuring Sticker RSD 2021 Limited Numbered Edition Mono Gatefold 180 Gram 2xLP is Out of Print with 9 Tracks 2021 Reel To Real - RTRLP006
Barcode and Identifiers Barcode: 875531018134 Matrix / RunoutSide A runout: RTRLP006-A KPG@CA Matrix / RunoutSide B runout: RTRLP006-B KPG@CA Matrix / RunoutSide C runout: RTRLP006-C KPG@CA Matrix / RunoutSide D runout: RTRLP006-D KPG@CA
Credits Bass - Monk Montgomery Cover - John Sellards Drums - "Philly" Joe Jones, Mel Lee Executive-Producer - Cory Weeds Lacquer Cut By - Kevin Gray Mastered By - Kevin Gray Mixed By [Live Mixer] - Jim Wilke Piano - Buddy Montgomery, Hampton Hawes, John Houston Producer - Cory Weeds, Zev Feldman Producer [Associate] - Charlie Puzzo Jr. Producer [Original Broadcast] - Jim Wilke Restoration [Sound] - Dave Sikula Tenor Saxophone - Harold Land Trumpet - Carmell Jones
Notes Contains previously unissued live recordings of unsung tenor saxophone hero Harold Land from The Penthouse in Seattle from 1962, 1964 and 1965 with stellar musicians including Hampton Hawes, Carmell Jones, Buddy Montgomery and Philly Joe Jones. Released in partnership with the Harold Land Estate, the deluxe limited edition, hand-numbered, 180g double LP set is mastered by Kevin Gray of Cohearent Audio. The remastered audio was captured from direct transfers of the original Penthouse's tape reels. Westward Bound! includes an extensive booklet with rare photos; essays by jazz historian Michael Cuscuna, co-producers Zev Feldman and Cory Weeds, and pianist Eric Reed; plus interviews with tenor saxophone giant Joe Lovano and the legendary saxophonist Sonny Rollins.
Land developed his hard bop playing with the Max Roach/Clifford Brown band into a personal, modern style; often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. Born in Houston and grew up in San Diego he started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars for Savoy Records in 1949. In 1954 he joined the Clifford Brown/Max Roach Quintet, with whom he was at the forefront of the hard-bop/bebop movement. He moved to Los Angeles in 1955 and played with Curtis Counce, led his own groups, and co-led groups with Bobby Hutcherson, Blue Mitchell, and Red Mitchell. From the '70s onwards his style showed the influence of John Coltrane. In the early '80s through to the early '90s he worked regularly with the Timeless All Stars; a group sponsored by Timeless jazz records. The group consisted of Land on tenor, Cedar Walton on piano, Buster Williams on bass, Billy Higgins on drums, Curtis Fuller on trombone and Bobby Hutcherson on vibes.
Over his career he was a sideman on albums from Roy Ayers, Bill Evans, Ella Fitzgerald, Freddie Hubbard, Thelonious Monk, Wes Montgomery, Donald Byrd, Dinah Washington and countless others.
In
Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Forever Young Records (Texas, United States)
Overall Rating:
Feedback: 99.4% positive (328 ratings) Fill Rate: 97% availability Time To Ship: 1.1 days Response Time: Seller For: 8.8 years Transactions: 1,366
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
------------------------------------------------------------ Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
------------------------------------------------------------ Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
------------------------------------------------------------ Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
------------------------------------------------------------ Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
------------------------------------------------------------- Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
------------------------------------------------------------- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
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Pick up from our store 1 LP, 12", or 10" Shipped priority mail in the USA $13.00, $1.00 for each additional 1 LP, 12", or 10" Shipped media mail in the USA $6.00, $1.00 for each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped priority mail within the USA - $11.00, $1.00 each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped media mail within the USA - $5.50, $1.00 each additional 1 LP, 12", or 10" Shipped Air Mail to Canada or Mexico $23.00, $10.00 each additional 1 LP, 12", or 10" Shipped Air Mail to Rest Of The World $32.00, $10.00 each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped Air Mail to Canada or Mexico $18.00, $5.00 each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped Air Mail to Rest Of The World $20.00, $5.00 each additional
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If your order is lost, stolen or never arrives we cannot be held responsible and recommend adding the surcharge for registration or insurance. If your order is damaged in transit we will replace the order or refund your money 100% upon confirmation of the damaged goods, we package well. We accept returns in the same condition we sent them to you. Buyer pays all return shipping costs and a small restocking fee will be applied for buyers who change their mind. If we make a mistake we will pay all return shipping costs and correct the order or refund you.
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We strive to offer our customers a high level of expertise and quality treating each buyer with respect and appreciation. "May you always be courageous, stand upright and be strong, may you stay FOREVER YOUNG" - Bob Dylan
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