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David Bowie

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The Collaborator (the Legendary Broadcasts)

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Format:		4CD
Condition:		NEW AND SEALED (Media / Cover) More Info
Label:		Coda Publishing CPLCD247
Country:		Uk
Released:		2016
Genre:		Rock
Num In Set:		4
Quantity:		1 in stock
Seller Ref:		Dressoir
- Ziggy's Last Floor Show 1-1 - Sorrow - 3:04 1-2 - Everything's Alright - 2:33 1-3 - Space Oddity - 5:24 1-4 - 1984/Dodo - 1:39 1-5 - I Can't Explain - 2:10 1-6 - Time - 5:03 1-7 - The Jean Genie - 5:57 1-8 - I Got You Babe - 3:30 - Tokyo Collaborations 2-1 - Warszawa - 6:22 2-2 - Heroes - 7:29 2-3 - Fame - 4:05 2-4 - Beauty And The Beast - 4:43 2-5 - Five Years - 4:04 2-6 - Soul Love - 2:54 2-7 - Star - 2:26 2-8 - Hang On To Yourself - 2:39 2-9 - Ziggy Stardust - 3:37 2-10 - Suffragette City - 3:33 2-11 - Station To Station - 13:28 2-12 - TVC15 - 4:12 - Industrial Collaborators 3-1 - Subterraneans - 4:30 3-2 - Scary Monsters (And Super Creeps) - 5:16 3-3 - Reptile - 6:05 3-4 - Hallo Spaceboy - 5:08 3-5 - Hurt - 5:30 3-6 - Look Back In Anger - 5:03 3-7 - I'm Deranged - 5:39 3-8 - The Heart's Filthy Lesson - 4:56 3-9 - The Voyeur Of Utter Destruction (As Beauty) - 5:18 3-10 - I Have Not Been To Oxford Town - 4:20 3-11 - Outside - 4:33 3-12 - Andy Warhol - 3:40 3-13 - Breaking Glass - 3:49 3-14 - The Man Who Sold The World - 3:40 3-15 - Nite Flights - 5:14 3-16 - Under Pressure - 4:12 - TV Collaborator 4-1 - Young Americans (Medley) - 6:31 4-2 - Fame - 3:26 4-3 - Can You Hear Me - 4:13 4-4 - Stay - 5:01 4.-5 - Five Years - 4:54 4-6 - Heroes - 3:25 4-7 - Funtime - 3:00 4-8 - Sister Midnight - 4:02 4-9 - Life On Mars - 4:03 4-10 - Ashes To Ashes - 3:39 4-11 - The Man Who Sold The World - 3:02 4-12 - Nite Flights - 4:15 4-13 - Black Tie White Noise - 4:48 4-14 - Strangers When We Meet - 3:38 4-15 - The Heart's Filthy Lesson - 3:43 4-16 - China Girl - 6:22 CD1: From US broadcast 'The 1980 Floor Show' ( Recorded: 18, 19 & 20 October 1973, Broadcast: 16 November 1973 (US Only), Recorded at The Marquee Club, 90 Wardour Street, Soho, London & television studios). CD2: From live broadcast of the last night of The Isolar II World Tour, NHK Hall at NHK Broacasting Center, Shibuya, Tokyo, Japan on 12 December 1978. CD3: Recording from 1. Outside album tour, when Nine Inch Nails opened the shows and then joined by Bowie for a brief combined set. From broadcast live by local FM radio in St. Louis, Missouri, USA on 11 October 1995. CD4: Tracks 1-3: The Cher Show 23.11.1975 Tracks 4 & 5: The Dinah Shore Show 3.01.1976 Track 6: Dutch TV 13.10.1977 Tracks 7 & 8: The Dinah Shore Show 15.04.1977 Track 9 & 10: The Tonight Show 3.09.1980 Track 11: Saturday Night Live 5.01.1980 Tracks 12 & 13: The Tonight Show with Jay Leno 13.05.1993 Track 14: The Tonight Show with Jay Leno 27.10.1995 Track 15: The Late Show with David Letterman 26.09.1995 Track 16: Mantra Studios 28.02.1977. Similar to David Bowie - The Collaborator (The Legendary Broadcasts) but front sleeve differs. BarcodeX000MKWVWVRights SocietyMCPSDisc 1Matrix / Runout1307978712 CPLCD247_1Disc 2Matrix / Runout1307978712 CPLCD247_2Disc 3Matrix / Runout1307978712 CPLCD247_3Disc 4Matrix / Runout1307978712 CPLCD247_4

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Tracklist
	Ziggy's Last Floor Show
1-1	Sorrow	3:04
1-2	Everything's Alright	2:33
1-3	Space Oddity	5:24
1-4	1984/Dodo	1:39
1-5	I Can't Explain	2:10
1-6	Time	5:03
1-7	The Jean Genie	5:57
1-8	I Got You Babe	3:30
	Tokyo Collaborations
2-1	Warszawa	6:22
2-2	Heroes	7:29
2-3	Fame	4:05
2-4	Beauty And The Beast	4:43
2-5	Five Years	4:04
2-6	Soul Love	2:54
2-7	Star	2:26
2-8	Hang On To Yourself	2:39
2-9	Ziggy Stardust	3:37
2-10	Suffragette City	3:33
2-11	Station To Station	13:28
2-12	TVC15	4:12
	Industrial Collaborators
3-1	Subterraneans	4:30
3-2	Scary Monsters (And Super Creeps)	5:16
3-3	Reptile	6:05
3-4	Hallo Spaceboy	5:08
3-5	Hurt	5:30
3-6	Look Back In Anger	5:03
3-7	I'm Deranged	5:39
3-8	The Heart's Filthy Lesson	4:56
3-9	The Voyeur Of Utter Destruction (As Beauty)	5:18
3-10	I Have Not Been To Oxford Town	4:20
3-11	Outside	4:33
3-12	Andy Warhol	3:40
3-13	Breaking Glass	3:49
3-14	The Man Who Sold The World	3:40
3-15	Nite Flights	5:14
3-16	Under Pressure	4:12
	TV Collaborator
4-1	Young Americans (Medley)	6:31
4-2	Fame	3:26
4-3	Can You Hear Me	4:13
4-4	Stay	5:01
4.-5	Five Years	4:54
4-6	Heroes	3:25
4-7	Funtime	3:00
4-8	Sister Midnight	4:02
4-9	Life On Mars	4:03
4-10	Ashes To Ashes	3:39
4-11	The Man Who Sold The World	3:02
4-12	Nite Flights	4:15
4-13	Black Tie White Noise	4:48
4-14	Strangers When We Meet	3:38
4-15	The Heart's Filthy Lesson	3:43
4-16	China Girl	6:22

Note Tracklisting is supplied by a third party and matched by catalogue number. Tracks on the release may differ from what is being sold.

RSRecords

RSRecords (Nederland, Netherlands)

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Conditions and Grading

I will grade the vinyl and covers regarding the "goldmine"
catalog. CDs will be graded as such also. Jewel cases are not graded, as they are replaceable.

Goldmine Grading Standard:

Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
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Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
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Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
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Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
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Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
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Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon. Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.