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Buy both the LP and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
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| Format: | | LP Want this on CD also?
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| Condition: | | NEW More Info |
| Label: | | AJABU 00557256 |
| Released: | | 20220620 |
| Genre: | | WORLD |
| Quantity: | | 2 in stock |
LP
30292
Back in 2011, this London-based Brazilian singer-songwriter brought out a first album with the somewhat misleading title, Studies in Bossa Nova. It had some moments of true promise, but was a bit of a mixed bag. Over ten years later, hes fully realised that promise in the eight beautiful songs that constitute his sophomore release. Perhaps its not a coincidence that it comes via Malmos Ajabu! Records, current label of fellow countryman and musical minimalist, Tigana Santana. With tasteful jazz-styled electric guitar, hand drums or brushes and a surprisingly prominent electric bass backing his dreamy, sub-falsetto vocals, Vilar creates deceptively simple and highly melodic songs so delicate that they might evaporate. Apart from a sudden shift of direction mid-song to add drama to the single, Sou Tropical, and the ethereal So Have We, all the numbers are unembellished models of the song-writing craft, with lyrics highlighting Vilars childhood in the favelas of Rio during the 1980s and impressionistic memories of the Brazil he left behind. The penultimate Vergonha na Cara is taken at a slightly jauntier pace than the other songs, while the final Cliche, is anything but: a lovely song to end a lovely album.
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