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Barcode and Identifiers BarcodeScanned: 190295869328 Matrix / RunoutCD1: 0190295830687-01 AH76176-01 manufactured by optimal media GmbH Matrix / RunoutCD2: 0190295830687-02 AH76176-02 manufactured by optimal media GmbH Mastering SID CodeCD1, CD2: ifpi L575 Mould SID CodeCD1, CD2: IFPI 9701 Label Code: LC30419 Rights Society: GEMA/MCPS Rights Society: BMI Rights Society: ASCAP
Credits Alto Saxophone, Flute - David Sanborn Backing Vocals - Anthony Hinton, Ava Cherry, Diane Sumler, Gui Andrisano, Luther Vandross, Robin Clark, Warren Peace Baritone Saxophone [Uncredited], Flute [Uncredited] - Richard Grando Bass - Doug Rauch Congas - Pablo Rosario Design - Scott Minshall Drums - Greg Errico Guitar - Carlos Alomar, Earl Slick Liner Notes - Richard Cromelin Mastered By - Ray Staff Mixed By - Tony Visconti Photography By [Booklet Back Cover] - Gorman Bechard Photography By [Front Cover & Centre Spread] - Jaime Andrews Photography By [Inside Panel & Back Cover] - Terry O'Neill Piano, Mellotron - Mike Garson Producer - David Bowie Producer [Project Produced For Release For RZO Music By] - Aisha Cohen Producer [Project Produced For Release For Warner Music By] - Nigel Reeve, Olivia Thomas Vocals, Guitar, Harmonica - David Bowie Written-By - David Bowie (Tracks: 1-1 to 1-11, 2-2 to 2-9), Eddie Floyd (Tracks: 2-1), Steve Cropper (Tracks: 2-1), Warren Peace (Tracks: 1-11)
Notes While the booklet notes incorrectly call this a digipak, it is actually a tri-fold digifile sleeve replicating the packaging of the .
Artist name given simply as 'Bowie' (in the style of [m=20141]) on front cover.
Includes a 12-page booklet. Timings not listed on sleeve.
A previously officially unreleased live recording from Los Angeles on 5th September, 1974, between the Diamond Dogs tour and the Philly Dogs tour. Produced by David Bowie and mixed by Tony Visconti at Human Studios, NYC in October/November 2016.
Recorded live at Los Angeles Amphitheatre, L.A. California, USA 1974, September 5, as part of the BBC coverage of Bowie's 1974 tour and then current period. Some recordings and footage from the concert were first broadcast in 1975 on the BBC TV special "Cracked Actor". In 1990 the professionally recorded tapes were first made available unofficially in a different mix than the one included on the official release. There is a myriad of releases, including some that contain the full intro (here reduced to less than two minutes), and more of the stage commentary from Bowie himself than is included on the official release. See David Bowie - Strange Fascination for the master release of the unofficial releases.
Mixed at Human Studios, NY in October/November 2016. Mastering at Air Mastering, London. Project produced for release for Warner Music and RZO Music. Design at Gas Associates, London, 2016.
℗ 2017 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Company LLC under exclusive licen
Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
Forever Young Records (Texas, United States)
Overall Rating:
Feedback: 99.4% positive (327 ratings) Fill Rate: 97% availability Time To Ship: 1.1 days Response Time: Seller For: 8.8 years Transactions: 1,365
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
------------------------------------------------------------ Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
------------------------------------------------------------ Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
------------------------------------------------------------ Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
------------------------------------------------------------ Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
------------------------------------------------------------- Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
------------------------------------------------------------- Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
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Pick up from our store 1 LP, 12", or 10" Shipped priority mail in the USA $13.00, $1.00 for each additional 1 LP, 12", or 10" Shipped media mail in the USA $6.00, $1.00 for each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped priority mail within the USA - $11.00, $1.00 each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped media mail within the USA - $5.50, $1.00 each additional 1 LP, 12", or 10" Shipped Air Mail to Canada or Mexico $23.00, $10.00 each additional 1 LP, 12", or 10" Shipped Air Mail to Rest Of The World $32.00, $10.00 each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped Air Mail to Canada or Mexico $18.00, $5.00 each additional 1 CD, DVD, Cassette, 45, or T-Shirt Shipped Air Mail to Rest Of The World $20.00, $5.00 each additional
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