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Buy both the CD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
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Format: | | CD |
Condition: | | NEAR MINT (NM OR M-) / VERY GOOD PLUS (VG+) (Media / Cover) More Info |
Label: | | Polygram Records 5226512 |
Country: | | Europe |
Released: | | 1994-09-21 |
Genre: | | Hard Bop |
Num In Set: | | 1 |
Barcode: | | 731452265128 |
Quantity: | | 1 in stock |
Seller Ref: | | 653795103 jazz 1 |
cd is ex
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Tracklist
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1 | What's New? | 5:01 | 2 | The Song Is You | 4:16 | 3 | I'm Glad There Is You | 2:32 | 4 | You'de Be So Nice To Come Home To | 3:39 | 5 | Cynthia's In Love | 3:07 | 6 | The Masquerade Is Over | 3:10 | 7 | Limehouse Blues | 4:40 | 8 | Lover Man | 3:55 | 9 | Stars Fell On Alabama | 6:15 | 10 | Street Of Dreams | 2:13 | 11 | Spring Is Here | 3:45 | 12 | The Way You Looked Tonight | 4:25 | 13 | Falling In Love With Love | 2:31 | 14 | Little Girl Blue | 2:40 | 15 | I Got It Bad (and That Ain't Good) | 2:36 | 16 | Straight, No Chaser | 8:23 |
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Barcode and Identifiers
Barcode: 7 31452 26512 8 Label Code: LC 0383 Rights Society: BIEM/STEMRA Matrix / Runout: 522 651-2 01 + Mastering SID Code: IFPI L002
Credits Art Direction - Sheryl Lutz-Brown Bass - Keter Betts (Tracks: 3, 14), Paul Chambers (Tracks: 2, 4 to 5, 7, 9), Sam Jones (Tracks: 1, 8, 11 to 12, 16) Compiled By, Sequenced By - Joe Goldberg Coordinator - Aric Lach Morrison Design [Coordinated] - Nichell Delvaille Drums - Jimmy Cobb (Tracks: 1, 7 to 9, 11 to 12, 15 to 16), Kenny Clarke (Tracks: 2, 4 to 5), Specs Wright (Tracks: 3, 14) Editor - Peter Pullman Executive-Producer - Richard Seidel, Richard Seidel Layout - Giulio Turturro Mastered By - Suha Gur Piano - Bill Evans (Tracks: 15), John Williams (Tracks: 2, 4 to 5), Junior Mance (Tracks: 1, 3, 8, 11 to 12, 14, 16), Wynton Kelly (Tracks: 7, 9) Producer [Original Recordings] - Bob Shad Research - Ben Young Saxophone - Cannonball Adderley, Cecil Payne (Tracks: 2), Danny Bank (Tracks: 3, 14), Jerome Richardson (Tracks: 2 to 5, 14), John Coltrane (Tracks: 7, 9) Supervised By - Michael Lang Trombone - Bobby Byrne (Tracks: 3, 14), Jimmy Cleveland (Tracks: 2 to 5, 14) Trumpet - Ernie Royal (Tracks: 3, 14), Nat Adderley (Tracks: 1 to 5, 8, 11 to 12, 14, 16)
Notes Recording dates and places:
1 & 16, March 4, 1958 at Mercury Sound Studio, New York City; 2 & 5, July 21, 1955 at Capitol Studio, New York City; 3, June 18,1956 at Mercury Sound Studio, New York City; 4, July 29, 1955 at Capitol Studio, New York City; 6, October 28, 1955 at Mercury Sound Studio, New York City; 7 & 9, February 3, 1959 at Universal Recording Studio B, Chicago; 8, February 7, 1957 at Capitol Studio, New York City; 10 & 13, October 27, 1955 at Mercury Sound Studio, New York City; 11, February 11, 1957 at Mercury Sound Studio, New York City; 12, February 8, 1957 at Mercury Sound Studio, New York City; 14, June 8, 1956 at Mercury Sound Studio, New York City; 15, August 20, 1958 at Mercury Sound Studio, New York City;
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Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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