MusicStack has partnered with a vinyl to CD conversion service who will convert the 2CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the 2CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the 2CD only for your ears. The 2CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the 2CD + 0 conversion to recordable CD + cost of shipping of the 2CD to Arizona + cost of shipping of the 2CD from Arizona to your location paid in advance.
Credits Backing Vocals, Bass, Banjo - Warne Livesey (Tracks: 1-05 to 1-07) Bass, Keyboards - James Eller (Tracks: 1-06 to 1-10, 1-13) Compiled By - Bernard Blouseau, Matt Johnson Drums - David Palmer (Tracks: 1-04 to 1-07, 1-09, 1-10) Edited By - Roger Lian Guitar - Eric Schermerhorn (Tracks: 1-12 to 1-15) Guitar, Keyboards, Percussion, Vocals, Marimba, Organ, Omnichord - Matt Johnson Mastered By - Howie Weinberg Organ [Hammond], Vocals - David Collard (Tracks: 1-10 to 1-12) Photography By [Front Cover] - Andy Earl Producer - Bruce Lampcov (Tracks: 1-08 to 1-12), Matt Johnson (Tracks: 1-03 to 1-12), Warne Livesey (Tracks: 1-04 to 1-07) Vocals, Guitar, Harmonica, Backing Vocals - Johnny Marr (Tracks: 1-06 to 1-10)
Notes From the thethe.com archives: 1-01: The original Epic single produced by Mike Thorne and recorded in New York in 1982. This version is actually a previously unreleased edit between the 7" and 12" versions. It features the haunting saxophone solo of Crispin Ciao, which some people seem to actually prefer to the Jools Holland solo on the later version. 1-02: The original Epic single produced by Mike Thorne in New York, but radically overhauled bt Paul Hardiman and Matt back in London in 1982. Features the brilliant harmonica playing of ex-New York Doll, David Johanson. 1-03: A previously unreleased edit of this infamously banned single. Produced in New York by Roli Mosimann and Matt. 1-04: Extra loud version of this classic track. Produced by Warne Livesey and Matt. 1-05: A new edit combines the album and single versions of one of TheThe's most famous singles. 1-06: A previously unreleased edit of this banned single. 1-07: One of TheThe's biggest hits of the 80's and featuring the classic Johnson/Marr/Eller/Palmer line up. 1-08: Sweat soaked hit from the Dusk album. Extra loud. 1-09: The last time the Johnson/Marr/Eller/Palmer line up were ever to play together. Probably one of TheThe's most underrated singles. Featuring the beautiful harmonica melodies of Johnny Marr. 1-10: Considered by many to be TheThe's finest ever song. 1-11: Previously known as That Was The Day, this newer version of the song is actually still TheThe's biggest British hit to date- 1-12: A huge international hit. Could have been written for Matt by the late Hank Williams. 1-13: A brand new version of the song first featured in NakedSelf. Produced by TheThe's notorious ex-bass player James Eller and featuring the mesmerising duet between Matt and the brilliant Liz Horsman. 1-14: Earmarked to become yet another TheThe classic. A direct descendant of Heartland. Produced by the legendary production team of Clive Langer & Alan Winstanley and featuring the Johnson/Schermerhorn/Campbell/Harvin line up.
Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
fearanddesire (Israel)
Overall Rating:
Feedback: 90% positive (10 ratings) Fill Rate: 88% availability Time To Ship: 5.1 days Response Time:Response Time: 0.1 days (3.2 hrs)
M=mint=perfect, no faults [even if second hand] NM=near mint=a few, minor, faults EX=excellent=tiny faults visible, but still a great pick VERY GOOD+/-=VG+/VG-/VG-=visible faults that are of some importance. OK item GOOD=G=not good - scratches, tears etc FAIR=F=missing parts BAD=B=broken -=missing
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------ EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------ VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------ GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------ FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------ POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------ BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------ CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
Payment Methods Accepted
PayPal
Shipping Costs
I ALWAYS SHIP REGISTERED FOR SAFER+FASTER DELIVERY.
WHEN YOU ORDER MORE THAN 5 ITEMS YOUR SHIPPING MIGHT BE LOWER THAN ADVERTISED. CONTACT FOR DETAILS.
NOTE I SHIP FROM ISRAEL.
WESTERN EUROPE: LP/12"=18$. CD/7"=15$. Each add'l LP=7$, Each add'l CD=3.5$.
EASTERN EUROPE: LP/12"=19$. CD/7"=16$. Each add'l LP=6.5$, Each add'l CD=3.5$.
USA: LP/12"=22.8$. CD/7"=20$. Each add'l LP=8$, Each add'l CD=5$.
Australia/New Zealand/Canada/Japan: LP/12"=19$. CD/7"=16$. Each add'l LP=7$, Each add'l CD=4$.
Asia [excluding Japan]: LP/12"=19$. CD/7"=16$. Each add'l LP=7$, Each add'l CD=4$.
Mexico/South America: LP/12"=25$. CD/7"=19$. Each add'l LP=7$, Each add'l CD=4$.
ישראל: תקליט=9$, דיסק=7$. כל פריט נוסף עוד 2$
Return Policy
I ship registered+tracking, so no chances of losing it. If you don't like the item for any reason, please contact me to sort it out. returns are a hassle & not preferred. if buyer insists on returning, they have to pay for it themselves. note I ship from Israel, long route everywhere. be patient. especially in these annoying covid times.
Seller Information
I always ship registered & take GREAT care in packing.
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
