MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
Barcode and Identifiers Barcode: 5 099749 999824 Rights Society: BIEM SACEM SACD SDRM SGDL Label Code: LC 00199 BarcodeBack cover, CD face, insert: 4999982000 Format code: CDC Matrix / Runout: Sony Music S4999982000-0101 11 A1 * Mastering SID Code: IFPI L551 Mould SID Code: IFPI 949B
Credits A&R - Toru Nihongi Artwork, Design - Moto Murakami Coordinator [Digital Coordination] - Goda, Okonogi Coordinator [NY Coordination] - Minako Ikeshiro Coordinator [Products Coordinator] - Noriko Yamashita Edited By [Digitally Organized By] - Hiroshi Watanabe Executive-Producer - Naoki Kitagawa Executive-Producer [Office One Producer] - Akira Miyai, Kondi, Nobuyuki Kondo Management [Management Office] - Comtech Management [Office One Crew] - Chu X 2, Hasshy, Keiko Ishihara, Kenichi Gokan, Koichiro Hashimura, Masayo Minamizuka, Suzumi, Takatsugu Soeda, Toru Nihongi, Toshimi Hatakeyama, Yoko Ishii, Yumi Suzuki Mixed By [With Assistance By], Mastered By [With Assistance By] - Mika Mukawa Mixed By, Mastered By - David Kennedy Producer - Ambivalence (Tracks: 1 to 7, 9 to 12) Product Manager [Directed, Marketed And Promoted By] - Office One Crew Supervised By [Project Direction] - Hiroshi Egami Typography - Skate Thing
Notes All music produced for AMB.S.D. except track 8. Mixed and mastered for D.O.X. Productions and AMB.S.D. @ Chung King House of Metal, NYC, Sony Music Studios, NYC and Studio Shangri-La, Tokyo.
1: Diggy Tunez (ASCAP) 2, 5: Fujipacific Music Inc. / Get Ya Frog On Publishing (BMI) / Copyright Control 3: Fujipacific Music Inc. / Diggy Tunez (ASCAP) / Art Phillips Music Publishing / Embassy Music Corporation. Contains excerpts from "Here We Go", as performed by Minnie Riperton, used under license from Capitol Records, a division of Capitol Records, Inc. Written by Arthur D. Phillips / Richard Randolph and published by Embassy Music Corporation o/b/o Art Phillips Music Publishing and Dickiebird Music & Publishing Company. 4: Fujipacific Music Inc. / Rahzel Enterprises (ASCAP) 6: Get Ya Frog On Publishing (BMI) / Copyright Control 7: Fujipacific Music Inc. / Diggy Tunez (ASCAP) 8, 10, 11: Fujipacific Music Inc. 9, 12: Fujipacific Music Inc. / Only Child Brother's Music (ASCAP)
CD face: ℗ 2000 Sony Music Entertainment (Japan) Inc. "Epic" registered trademark. [Epic logo] is the exclusive trademark of Sony Music Entertainment Inc. Made in Austria
Note Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
fearanddesire (Israel)
Overall Rating:
Feedback: 90% positive (10 ratings) Fill Rate: 88% availability Time To Ship: 5.1 days Response Time:Response Time: 0.1 days (3.2 hrs)
M=mint=perfect, no faults [even if second hand] NM=near mint=a few, minor, faults EX=excellent=tiny faults visible, but still a great pick VERY GOOD+/-=VG+/VG-/VG-=visible faults that are of some importance. OK item GOOD=G=not good - scratches, tears etc FAIR=F=missing parts BAD=B=broken -=missing
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------ EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------ VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------ GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------ FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------ POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------ BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------ CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and
CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves
Payment Methods Accepted
PayPal
Shipping Costs
I ALWAYS SHIP REGISTERED FOR SAFER+FASTER DELIVERY.
WHEN YOU ORDER MORE THAN 5 ITEMS YOUR SHIPPING MIGHT BE LOWER THAN ADVERTISED. CONTACT FOR DETAILS.
NOTE I SHIP FROM ISRAEL.
WESTERN EUROPE: LP/12"=18$. CD/7"=15$. Each add'l LP=7$, Each add'l CD=3.5$.
EASTERN EUROPE: LP/12"=19$. CD/7"=16$. Each add'l LP=6.5$, Each add'l CD=3.5$.
USA: LP/12"=22.8$. CD/7"=20$. Each add'l LP=8$, Each add'l CD=5$.
Australia/New Zealand/Canada/Japan: LP/12"=19$. CD/7"=16$. Each add'l LP=7$, Each add'l CD=4$.
Asia [excluding Japan]: LP/12"=19$. CD/7"=16$. Each add'l LP=7$, Each add'l CD=4$.
Mexico/South America: LP/12"=25$. CD/7"=19$. Each add'l LP=7$, Each add'l CD=4$.
ישראל: תקליט=9$, דיסק=7$. כל פריט נוסף עוד 2$
Return Policy
I ship registered+tracking, so no chances of losing it. If you don't like the item for any reason, please contact me to sort it out. returns are a hassle & not preferred. if buyer insists on returning, they have to pay for it themselves. note I ship from Israel, long route everywhere. be patient. especially in these annoying covid times.
Seller Information
I always ship registered & take GREAT care in packing.
Shipping to United States
Payment by PayPal
:
No Insurance, No Tracking, No Signature, - days Estimated Delivery
