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Walter Carlos

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Switched-On Bach II

                 


            



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Format: LP     Want this on CD also?

Condition: VERY GOOD PLUS (VG+) / GOOD PLUS (G+) (Media / Cover)    More Info
Label: CBS KM32659
Country: UK
Released: 1973
Genre: Modern Classical
Num In Set: 1
Quantity: 1 in stock
Seller Ref:   642545196 AN4566

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Tracklist
 
Selections From Suite No. 2 In B Minor, BWV 1067
A2Two-Part Invention In A Minor, BWV 7841:20
A3Two-Part Invention In A Major, BWV 7831:10
A4Sheep May Safely Graze From "Cantata No. 208", BWV 2085:00
Suite From Anna Magdelena Notebook
Brandenburg Concerto No. 5 In D Major, BWV 1050


Identifiers
Matrix / RunoutSide A, Label: S 65974 A
Matrix / RunoutSide B, Label: S 65974 B
Matrix / RunoutSide A, Runout, Stamped: S 65974 A1
Matrix / RunoutSide B, Runout, Stamped: S 65974 B1


Credits
Composed By - Johann Sebastian Bach
Design [Cover Design] - John Berg
Liner Notes - Robert Moog
Photography By [Cover Photo] - Horn/Griner
Producer - Rachel Elkind

Notes
Catalog# on sleeve: 65974
Catalog# on labels: S 65974 (KM 32659)

Track A3: Incorrectly listed as "A Minor" on labels, and correctly listed as "A Major" on sleeve.

A Tempi Production.


Liner Notes:
Walter Carlos and I met formally in 1965, three years before the release of Switched-On Bach. At that time, Walter was a recording engineer and tape editor at a large New York studio. He had completed graduate studies in classical electronic music studio technique with Vladimir Ussachevsky at the Columbia-Princeton Electronic Music Center in New York City. Here, he learned the basic techniques of electronic sound generation and processing, and musical manipulation and assembly of sounds on a magnetic tape. His graduate work included original tape compositions, some of which had been played in public concerts and were well known among the (then) small circle of electronic music devotees, and have subsequently been released on records.

Carlos heard of the modular electronic music instruments that we had developed a short time before and initiated correspondence that led to our first formal meeting. We talked about many aspects of electronic music hardware and composition techniques, and I remember being amazed at how thoroughly Walter understood the musical application of instruments that, for him, then existed only on paper. His initial purchase included some instruments that we designed and built to his specifications.

From then on, we met or talked frequently. Over the months and years that followed, Carlos explored the technical and musical subtleties of his instruments. He often suggested features and modifications that would increase the instruments' capabilities and improve their operation. He demanded the highest level of sound quality and musical accuracy. We frequently discussed new types of instruments and then collaborated on the details of their design. My associates and I translated these ideas into hardware, and Walter put them to the test. The Moog 196


Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
     
Fruitmooning (South Yorkshire, United Kingdom)

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