MusicStack has partnered with a vinyl to CD conversion service who will convert the LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
I was pawing through some records at a yard sale and stumbled across this Brian Davison release. I actually recognized Davison's name from his days drumming with The Nice and initially put the album down thinking it was going to be an something even more pretentious than your normal set of Nice progressive moves. Anyhow, I remember having read that Davison had recently passed on (this was back in 2008)', so I went ahead and bought the album, dumping it in my to-listen-too pile where it sat for the next four years. As mentioned, I figured this album was going to be a continuation of Davison's Nice-styled progressive moves. Boy was I ever wrong. So technically this collection isn't even a Davison solo effort, rather reflects a post-Nice project with former Skip Bifferty singer/keyboardist Graham Bell, bassist Alan Cartwright, lead guitarist John Hedley, and multi-instrumentalist Geoff Peach. Collectively known as Every Which Way (which I've always thought was a great name for a band), the group were among the first to be signed to Nice manager Tony Stratton-Smith's newly formed Charisma label, though the album saw an American release on Mercury (with a far inferior cover). They made their debut in 1970 with the release of a non-LP 45: - 1970's 'Go Placidly' b/w 'he Light' (Charisma catalog number BD-1) While Davison was credited with producing, "Every Which Way", Graham Bell came off as he band's prime creative force. Not only did he handle all of the lead vocals and keyboards, but he was responsible for writing most of the album's six songs. In contrast, whereas Davison's adventuresome drums had always been featured in The Nice's catalog, this time out he was left with a much more traditional supporting role, providing a rock solid foundation along with bassist Cartwright To be perfectly honest, musically the album wasn't the most original thing you've ever heard. Offering up a hybrid mixture of English folk, jazz, and progressive moves, tracks like 'Castle Sand' and 'Go Placidly' bore more than a passing resemblance to ealy-1970s Steve Winwood and Traffic. As a big Traffic fan that comparison actually sat well with me, but others might not be as impressed. To my ears Bell had a great voice. Rugged, raw, and powerful, technically I'd argue his voice was actually more dynamic than Winwood's. Regardless, the comparisons were unmistakable and if that wasn't enough, Geoffrey Peach's reed work was highly reminiscent of Chris Wood's work. That aside, the band's secret weapon was found in guitarist John Hedley. Unlike so many guitarists, Hedley didn't seem to live for the chance to solo, rather played with considerable restraint and continual taste. Yeah, exemplified by material like 'The Light' he could bust an extended solo with the best of them, but it wasn't an in-your-face case of exhibitionism. Hard to believe that Hedley didn't garner more attention ... "Every Which Way" track listing: (side 1) 1.) Bed Ain't What It Use To Be (Graham Bell) - 9:25 rating: **** stars Opening up with some tasty John Hedley guitar and a nice Alan Cartwright bass line, 'Bed Ain't What It Use To Be' opened the album was a bluesy, mid-tempo rocker that's always reminded me of a really good Ritchie Havens song. Hedley's jazzy-inflected solo was simply wonderful with Bell turning in a fantastic, soul ravishing vocal. Even Geoffrey Peach's sax solo sounded impressive in these surroundings. You'd be hard pressed to find another nine minute + song that rolls by so fast. 2.) Castle Sand (Graham Bell) - 6:40 rating: **** stars Showcasing Peach's pretty reed work, 'Castle Sand' had one of those jazz-meets-progressive melodies coupled with a folk tale lyric that gave it an overall sound recalling early-1970s Steve Winwood and Traffic. This was also the one track that highlighted Davison's percussion. 3.) Go Placidly (Graham Bell) - 3:47 rating: **** stars Previously released as a s
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I've used the Goldmine Grading Guide in grading the collection. Most of the catalog is graded VG or slightly higher. To me that reflects an LP that's been played, but with care and attention. Neither the cover nor the vinyl are pristine, but the cover will be intact without substantial flaw and the vinyl will play without substantial hiss and without skips. Exceptions are noted for each offering. Since I buy music 'cause it's stuff I want to hear, virtually everything I sell is play graded - in other words, I've actually listened to the item. Finally, albums are graded cover first, vinyl second, i.e. VG/NM means a very good cover and near mint vinyl.
Goldmine Grading Standard:
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
------------------------------------------------------------ Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
------------------------------------------------------------ Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
------------------------------------------------------------ Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
------------------------------------------------------------ Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
------------------------------------------------------------- Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
Payment Methods Accepted
PayPal, Cash (US Dollars - at your risk), Personal Check (US Dollars made out to Scott Blackerby), Certified Check (US Dollars made out to Scott Blackerby), Postal (US Dollars made out to Scott Blackerby), PayPal (make payment to )
Shipping Costs
I ship domestic orders via USPS media mail. Typical delivery is in 3 - 5 days.
I can usually pack 2 - 3 LPs into a mailer
Rates may change as USPS seems to modify their rate structure on a regular basis.
Currently I am limiting sales to the US.U
I ship via USPS media mail which has proven dependable and the most economical delivery for buyers
I can normally pack 1 to 3 LPs in an LP mailer $6.00. $1.00 for each additional LP.
Return Policy
Obviously, grading is subjective and there are bound to be cases where someone disagrees with the way we've graded an album. In cases where you feel I'm way off the mark, let me know and I'll work to reach a mutually agreeable solution. I've sold several hundred albums over the last couple of years, including many on eBay. During that timeframe I've run into two disagreements. I sold a Tommy Boyce solo album which noted the cover had a tiny tear where someone had taken a price sticker off. The buyer was upset since she had known Boyce and wanted to frame the LP for display purposes. Even though the description clearly noted the tiny tear (and it was visible in the picture we posted), I offered her a refund, or a price adjustment to what she thought was fair. I never got a response. I sold a Richard Wright LP. The buyer told me it was a misprint sporting the same track listing on both sides. I provided a full refund and let the buyer keep the LP (he was in South America and it wasn't worth the hassle to get the LP back). Curiously, as a Pink Floyd fan I'd listened to the LP a couple of times and had no recollection of the mispressing. Oh well ...
Seller Information
Reserving items: If you contact me in advance, I'll reserve items for up to 3 weeks. If I reserve something, make sure you honor your commitment to purchase the item, otherwise I'm unlikely to continue doing business with you. Packaging information: I pack items in new record mailers with filler pads for additional protection. So far I haven't had any problems ... Unless you're buying some exceedingly expensive items, or your order totals more than $100.00 I'd suggest not bothering with insurance. If you want insurance, let me know ...
Shipping to United States
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No Insurance, No Tracking, No Signature, - days Estimated Delivery
