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Peebles, Ann

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It Must Be Love

                 



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$80.00 USD USD  +  shipping

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Format: LP     Want this on CD also?

Condition: NM COVER / NM LP (cover/media)    More Info
Label: Samalk Sounds AG 2331
Country: Us
Released: 1980
Genre: soul
Num In Set: 1
Quantity: 1 in stock
Seller Ref:   2267

sealed copy
Album Globe was probably the most blatant of the late-'70s/early-'80s tax scam labels.   When I say they were blatant I mean that, unlike other tax scam labels like Guinness and Tiger Lily, Album Globe didn't hesitate to release material by nationally known artists without any attempt to obscure it.    While Ann Peebles may not have been in the same league as Deep Purple, Billy Joel, or Bob Marley, that didn't stop the label from releasing 1980's "It Must be Love".   And here's where it gets almost laughable.   In spite of the new album title,   new art work, and the odd decision to flip the sides, this was noting more than a reissue of her 1977 "If This Is Heaven" album.   I'd be willing to bet that Hi Records, or producer Willie   Mitchell had approved this release.   
Obviously you want to look for a copy of the original, but for   Peebles fanatics, this was a fantastic, late-inning slice of old-school Memphis soul.   While material like the title track, 'Boy I Gotta Have You', and 'It Must be Love' at least acknowledged the public's growing appetite for dance music and   disco, Peebles and Mitchell deserved credit for standing their creative ground and refusing to follow many of their competitors in a mindless rush to sell-out to popular tastes.   In spite of the updated touches (talk box guitar on her cover of O.V. Wright's 'You Gonna Make Me Cry'), the album certainly wasn't a radical departure for Peebles which certainly served to limit the collection's sales potential.   On the other hand, if you were a longstanding   Peebles fan you already had a pretty good idea of what to expect and her sixth studio release wasn't going to disappoint.   To be honest, there really wasn't a single bad tune on the album, making it hard to pick favorites, but if forced in a corner, I'd go with the slinky, Curtis Mayfield-tinged 'Being Here with You', 'When I'm In Your Arms', and the funky 'A Good Day for Lovin''.
It Must be Love" track listing:
(side 1)
1.) When I'm In Your Arms   (Ann Peebles - Don Bryant - Gene Anderson) - 3:03
A simply glistening slice of prime Memphis soul with a melody that simply climbed into your head and won't leave.    With Peebles turning on the vocal afterburners you were left to wonder how this one was relegated to a 45 'B' side.    rating: **** stars
2.) You Gonna Make Me Cry   (O.V. Wright) - 4:39
Off of 1965's "(If It Is) Only for Tonight"), t he O.V. Wright original was actually entitled 'You're Gonna Make Me Cry' and simply crushes the competition.   Still credit Peebles for turning in a nice, bluesy cover and the Joe Walsh-styled talk-box guitar effect was totally unexpected and kind of cool.    rating: *** stars
3.) Games    (Earl Randle - B. Jarrett - P. Barnes) - 2:58
Almost a rock tune, 'Games' sounded a bit like something Norman Whitfield and Barrett Strong might have trotted out for the mid-'70s Temptations.    It was a tune that grew on you if given the chance.   rating: *** stars
4.) Lovin' You without Love   (Willie Mitchell - Y. Mitchell - Earl Randle) - 3:00
Pretty enough ballad with a great title track refrain that spotlighted   Charles Hodges on Hammond B3 and Michael Toles on Coral electric sitar.   Always loved electric sitar -sort of a Thom Bell feel.    rating: *** stars
5.) It Must Be Love   (Ann Peebles - Don Bryant - Gene Anderson) - 2:52
'It Must be Love' has always reminded me of a Stapes Singers tune.   There was just something in Peebles raspy delivery, along with the ,uncredited male singer who recalled Purvis Stapes (wonder if it was Don Bryant ?).    The uplifting lyric and bubbly mini-Moog just underscored the comparison.    Another standout performance.      rating: *** stars
(side 2)
1.) If This Is Heaven    (Willie Mitchell - Earl Randle) - 3:07
The title track was quite commercial, though the mild disco tinge wasn't particularly helpful.   On the other hand Peebles had such a fantastic voice you could overlook other shortcomings.   I

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