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Buy both the CD and a CD backup copy
MusicStack has partnered with a vinyl to CD conversion service who will convert the CD to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the CD to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the CD only for your ears. The CD and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the CD + 0 conversion to recordable CD + cost of shipping of the CD to Arizona + cost of shipping of the CD from Arizona to your location paid in advance.
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Format: | | CD |
Condition: | | NEW More Info |
Label: | | Sub Rosa SR299 |
Released: | | 2010 |
Genre: | | Contemporary Music / Experimental |
Quantity: | | 1 in stock |
Seller Ref: | | 51680 |
Like the 'Musics in the margin volume 1' CD co-produced by Art en Marge and Sub Rosa in 2006, this new production comes from a project mixing visual arts with music. Since the first CD, 'Art en Marge' has obtained its museum status and changed its name. These changes point out the fact the new 'art & marges museum' focuses on the affinities existing between three visual art fields considered on equal terms: modern art, contemporary art, and outsider art. Proceeding from how obviously compartmentalization is not only arbitrary but simplistic, this new production entitled 'Musik Oblik' explores the world of sounds and silence through the multidisciplinary works of artists unfolding stunning soundworlds and visual universes. Decompartmentalization is the key word, and this record offers unique approaches transcending the simple question of the insider/outsider classification. The purpose of this project is to outgrow the social-cultural dimension of the works while respecting their creators' integrity, whoever they might be.
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