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Akkerman, Jan

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Tabernakel

                 



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Format: LP Gatefold     Want this on CD also?

Condition: VG+ COVER / VG+ LP (cover/media)    More Info
Label: Atco SD 7032
Country: Us
Released: 1973
Genre: progressive
Num In Set: 1
Quantity: 1 in stock
Seller Ref:   7106

gatefold sleeve
With Focus at their commercial zenith,1974 saw guitarist Jan Akkerman given an opportunity to release what was technically his third solo LP -   the Geoffrey Haslam produced "Tabernakel".   Long fascinated by the Renaissance lute, Akkerman had previously purchased one of the instruments (he outbid the Museum of Copenhagen to purchase an instrument made by East German craftsman Amon Meinel) and after spending considerable time and energy locating tutorial material and ancient scores, began teaching himself how to play the instrument.   Some of his initial efforts showed themselves on the "Focus III" LP   - checkout 'Elspeth of Nottingham'.   Satisfied with his capabilities, in 1974 Akkerman went into a New York studio with a collection of all-star musicians including drummer Carmen Appice and bassist player Tim Bogart, spending two weeks recording this LP.   In spite of the rock musician lineup, anyone expecting to hear a collection of Focus-styled progressive moves was going to be largely shocked by this LP.   Working with Columbia University-based professor and harpsichord player George Flynn, side one found Akkerman all but abandoned his rock and progressive roots in favor of an instrumental set heavy on 15th century covers, including works by John Dowland, Anthonie Holbourne and Francis Pilkington. C'mon, what do you mean you've never heard of any of them?    Even the handful of Akkerman originals such as 'Javeh' and 'House of the King'   (the latter previously recorded by Focus) were inspired by Tudor stylings, though the latter boasted an all electric arrangement, including Akkerman's lone electric guitar solo.   That selection also served as one of the standout performance offering up a strange but effective meld of 15th style and 20th century technology.   Showcasing a multi-section suite, side two's 'Lammy' was more of a hit-or-miss endeavor, though the electric guitar-sitar-effect solo on 'She Is' was pretty darn cool.   In contrast to side one, the flip side brought in the rock players and fell into more of a progressive/experimental niche.   Geez, there was even an Appice drum solo.   So by now you've probably figured out this set isn't going to be for everyone.   I was certainly skeptical the first couple of times I played the album.   That said, this was one of those magical sets that I've put on a CDR in my Sony CD jukebox.   Everyone has some 'soundtrack' they rely on to relax and "Tabernakle" frequently serves as my choice.   It may not be rock and roll, but it sure is pretty and makes for one of those fantastic rainy Sunday morning LPs ...
"Tabernakel" track listing:
(side 1)
1.) Britannia ((instrumental) (John Dowland   - arranged by Jan Akkerman and George Flynn) - 3:55 rating: **** stars
'Britannia' was a wonderful introduction to Akkerman's Renaissance concept.   To this day I'm surprised how well the mixture of classical influences and rock drums work.   The track actually builds up considerable energy as it plows along.   Great track for a walk.   
2.) Coranto for Mrs. Murcott (instrumental) (Francis Pilkington - arranged by Jan Akkerman) - 1:26 rating: **** stars
A beautiful Akkerman solo effort, I always find myself wondering how long it took him to master the instrument.
3.) The Earl of Derby His Gilliard (instrumental) (John Dowland - arranged by Jan Akkerman) - 1:36 rating: **** stars
Another pastoral melody, it was a shame these pieces were so short.      
4.) House of the King (instrumental) (Jan Akkerman) - 2:23 rating: **** stars
And just when you were getting acclimated to the album's classical charms, along comes the rocker 'House of the King'.   With backing from drummer Carmen Appice and bassist Tim Bogart, it was atypical of the album, but my pick for the standout performance.   The song was actually a remake, Focus having recorded a more conventional arrangement on their 1972 "Focus III" LP.   YouTube has a promotional video they filmed

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Bad Cat Records

Bad Cat Records (Virginia, United States)

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