MusicStack has partnered with a vinyl to CD conversion service who will convert the LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
sealed copy This one was a total unknown to me. It attracted my attention for one reason; namely it was released on Jeff Kasenetz and Jerry Katz's Magna Glide label and is quite rate (it doesn't appear in any on-line discography I've seen). Assuming they were actually a band, as reflected in the brief liner notes, the line-up was completely unknown to me - Bobby Fox, Bill Green, Melodie Jane, and Cassy Martin. My skepticism stems from the fact so many of the songs were credited to the late songwriter Sal Trimachi. He's all but forgotten in the day and age, but as a songwriter, throughout the late 1950s and into the late '60s Trimachi enjoyed a string of successes with acts ranging from the 1910 Fruitgum Company ('1, 2, 3, Red Light'), to Dusty Springfield ('Here She Comes'), and a slew of released with Tommy James and the Shondells. Credited to Sal, he also recorded at least one solo 45: 1969's 'Life Is Beautiful' b/w 'Reflections' (Vanguard catalog VSD 35102). The connection with Kasenetz and Katz makes sense given Trimachi's work with a host of their bubblegum acts - 1910 Fruitgum Company, Captain Groovy, The Ohio Express, and The Zig Zag People. Again, nothing more than speculation on my part, but I'm guessing most of this album reflected Trimachi demos that were recorded as demos, or vocal "guides" for other bands. Perhaps they reflected tunes he hoped to one day release on his own. At a minimum the voice on tracks like 'Where Do We Go From Here' and 'Yellow Brick Road' bore a similarity to the Sal 45. Lacking enough Trimachi material for a full album they rounded the collection out with a pair of Graham Gouldman demos (yes, Gouldman was on Kasenetz and Katz payroll during 1969-70 - a relationship he doesn't have many nice things to say about.). Another guess on my part, but common sense would indicate the final track was lifted from the recording sessions for Ed Wahonka's 1970 album on the Super K label - "Wahonka" This certainly wasn't a great album, but in spite of it's fragment background, the collection had more than its share on intriguing moments. "Las Vegas Nights" track listing: (side 1) 1.) Where Do We Go From Here (Sal Trimachi - Paul Anka) - 3:15 rating: *** stars 'Where Do We Go From Here' was a surprisingly likeable mid-tempo ballad. Very late-'60s vibe that sounded a bit like something The Brooklyn Bridge, or perhaps Tommy James and the Shondells might have recorded. The lead singer was a little rough and the arrangement was a little MOR, but still nice. The track was released as an instantly obscure single: - 1977's 'Where Do We Go From Here' b/w 'Free As the Wind' (Magna Glide catalog number MGR 337) 2.) Yellow Brick Road (Sal Trimachi - Paul Anka) - 3:08 rating: **** stars If you've ever heard Captain Beefheart and the Magic Band's version of this tune (on their 1967 album "Safe As Milk", you'll be hard pressed to recognize this version. I'll readily admit to loving the Beefheart cover, but this version was equally charming. Arranged as a slice of bubblegum pop, this is one of the tunes that makes me think these were Trimachi demos - listen to the scat section and compare it to the Sal 45. Sweet tune. 3.) Free As the Wind (Sal Trimachi - Jeff Kasenetz - Jerry Katz) - 2:47 rating: **** stars I mentioned The Brooklyn Bridge earlier ... by coincidence they happened to have released 'Free As the Wind' as a 1970 single. Johnny Maestro may have had the stronger voice, but their arrangement didn't stray far from this version. 4. I Looked for Love (Sal Trimachi - Paul Anka) - 5:02 rating: ** stars The first mild disappointment, 'I Looked for Love' was the kind of overly sappy ballad that you would have expected from Jimmy Webb. (side 2) 1.) I'll Give You My Love (Jeffrey Calvert - Norman Marzano - Sal Trimachi) - 2:29 rating: **** stars Not quite a garage rocker, but kicked along by a cool litt
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I've used the Goldmine Grading Guide in grading the collection. Most of the catalog is graded VG or slightly higher. To me that reflects an LP that's been played, but with care and attention. Neither the cover nor the vinyl are pristine, but the cover will be intact without substantial flaw and the vinyl will play without substantial hiss and without skips. Exceptions are noted for each offering. Since I buy music 'cause it's stuff I want to hear, virtually everything I sell is play graded - in other words, I've actually listened to the item. Finally, albums are graded cover first, vinyl second, i.e. VG/NM means a very good cover and near mint vinyl.
Goldmine Grading Standard:
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
------------------------------------------------------------ Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
------------------------------------------------------------ Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
------------------------------------------------------------ Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
------------------------------------------------------------ Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
------------------------------------------------------------- Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
Payment Methods Accepted
PayPal, Cash (US Dollars - at your risk), Personal Check (US Dollars made out to Scott Blackerby), Certified Check (US Dollars made out to Scott Blackerby), Postal (US Dollars made out to Scott Blackerby), PayPal (make payment to )
Shipping Costs
I ship domestic orders via USPS media mail. Typical delivery is in 3 - 5 days.
I can usually pack 2 - 3 LPs into a mailer
Rates may change as USPS seems to modify their rate structure on a regular basis.
Currently I am limiting sales to the US.U
I ship via USPS media mail which has proven dependable and the most economical delivery for buyers
I can normally pack 1 to 3 LPs in an LP mailer $6.00. $1.00 for each additional LP.
Return Policy
Obviously, grading is subjective and there are bound to be cases where someone disagrees with the way we've graded an album. In cases where you feel I'm way off the mark, let me know and I'll work to reach a mutually agreeable solution. I've sold several hundred albums over the last couple of years, including many on eBay. During that timeframe I've run into two disagreements. I sold a Tommy Boyce solo album which noted the cover had a tiny tear where someone had taken a price sticker off. The buyer was upset since she had known Boyce and wanted to frame the LP for display purposes. Even though the description clearly noted the tiny tear (and it was visible in the picture we posted), I offered her a refund, or a price adjustment to what she thought was fair. I never got a response. I sold a Richard Wright LP. The buyer told me it was a misprint sporting the same track listing on both sides. I provided a full refund and let the buyer keep the LP (he was in South America and it wasn't worth the hassle to get the LP back). Curiously, as a Pink Floyd fan I'd listened to the LP a couple of times and had no recollection of the mispressing. Oh well ...
Seller Information
Reserving items: If you contact me in advance, I'll reserve items for up to 3 weeks. If I reserve something, make sure you honor your commitment to purchase the item, otherwise I'm unlikely to continue doing business with you. Packaging information: I pack items in new record mailers with filler pads for additional protection. So far I haven't had any problems ... Unless you're buying some exceedingly expensive items, or your order totals more than $100.00 I'd suggest not bothering with insurance. If you want insurance, let me know ...
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