here, however, often seems detached from the rest of the proceedings, probably because none of the other musicians can match his skills. Aside from Norma Jean Bell's saxophone parts on the opening two numbers and Reggie McBride's bass throughout, it's pretty faceless backing—puzzling in view of the precision and virtuosity of his previous, much better Teaser. But what may be worst of all is the engineering: the bass drum is almost indistinguishable from the snare, and everything else is blurred by the lack of any treble. (RS 226)

CHARLEY WALTERS