| Title |
Price |
GBP |
Media |
Condition |
Label |
| Enchantment |
2.43 |
|
CD |
EX |
Columbia 0897102000 |
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| Item Number: 20050018 |
Columbia, SK89710, 2001, 16 Track
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Tracklist
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| 1 | Tonight | 2:27 | | 2 | Carrickfergus | 4:27 | | 3 | Habañera | 4:28 | | 4 | Bali Ha'i | 4:07 | | 5 | Papa Can You Hear Me? | 2:53 | | 6 | The Flower Duet | 3:56 | | 7 | The Little Horses | 2:50 | | 8 | From My First Moment | 4:10 | | 9 | The Water Is Wide | 3:10 | | 10 | Can't Help Lovin' Dat Man | 4:17 | | 11 | The Laughing Song | 3:37 | | 12 | If I Loved You | 3:35 | | 13 | A Bit Of Earth | 3:57 | | 14 | Somewhere | 2:48 | | 15 | The Prayer | 4:25 | | 16 | It's The Heart That Matters Most | 2:20 |
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Barcode and Identifiers
Barcode: 5 099708 971021
Matrix / Runout: Sony Music IFPI L551 S0897102000-0101 11 A2
Mastering SID Code: IFPI L551
Mould SID Code: IFPI 9460
Rights Society: MCPS/SDRM/BIEM
Rights SocietyTrack 5: SDRM
Label Code: LC 0162
Credits
Art Direction, Design - Jeri Heiden
Conductor - Siân Edwards
Coordinator [Production Coordination For Keith Thomas] - Daryl Bush
Engineer [Additional Engineering] - Brian Tankersley (Tracks: 1, 2, 4 to 6, 9 to 14)
Engineer [Assistant Engineer At O'Henry Sound Studio] - Tim Lauber (Tracks: 1, 2, 4 to 6, 9 to 14)
Engineer [Assistant Engineer At The Bennett House] - David Streit (Tracks: 1, 2, 4 to 6, 9 to 14), Kevin Edlin (Tracks: 1, 2, 4 to 6, 9 to 14)
Engineer [Orchestral Assistant Engineer] - Andrew Granger (Tracks: 1, 2, 4 to 6, 9 to 14), Jake Jackson (Tracks: 1, 2, 4 to 6, 9 to 14)
Engineer [Orchestral Recording Engineer] - Charles Harbutt (Tracks: 1, 2, 4 to 6, 9 to 14)
Executive-Producer - Grace Row, Jeremy Caulton
Leader [Orchestra Leader] - Maya Iwabuchi
Liner Notes - Charlotte Church
Management - Azoffmusic Management
Management [Azoff Music Management] - Giles Baxendale, Irving Azoff, John Baruck, Sarah Ferguson Jones, Susan Markheim, Tom Consolo
Orchestra - Philharmonia Orchestra
Other [Gown Designed By] - Cantu & Castillo/Los Angeles
Other [Hair] - Peter Savic
Other [Make-Up] - Francesca Tolot
Other [Vocal Coach] - Louise Ryan
Other [Wardrobe Styling] - Jorge Ramon
Photography By - Firooz Zahedi
Producer [Album Producer] - Keith Thomas
Recorded By, Edited By, Mixed By - Bill Whittington (Tracks: 1, 2, 4 to 6, 9 to 14)
Soprano Vocals [Soprano] - Charlotte Church
Technician [Midi And Protools Technician] - Chris Yoakum
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Notes
Booklet:
1. (West Side Story) Published by Universal Music Publishing Ltd.
2. Published by Charlotte Church Ltd. admin. by Sony/ATV Music Publishing Ltd. Orchestra recorded at O'Henry Sound Studio, Burbank, CA.
3. (Carmen) Words after Marimée- Published by Charlotte Church Ltd. admin. by Sony/ATV Music Publishing Ltd.
4. (South Pacific) Published by EMI Music Publishing Ltd.
5. (Yentl) Published by EMI Songs Ltd. (SDRM)
6. (Lakmé) Published by Charlotte Church Ltd. admin. by Sony/ATV Music Publishing Ltd.
7. Published by Charlotte Church Ltd. admin. by Sony/ATV Music Publishing Ltd.
8. (Gymnopedie No.1) Published by A E Copyrights Ltd. / Charlotte Church Ltd. admin. by Sony/ATV Music Publishing Ltd.
9. Published by Charlotte Church Ltd. admin. by Sony/ATV Music Publishing Ltd.
10. (Showboat) Published by Universal Music Publishing Ltd. Will Owsley appears courtesy of Giant Records.
11. (Die Fledermaus) Published by Joseph Weinberger Ltd.
12. (Carousel) Published by EMI Music Publishing Ltd.
13. (The Secret Garden) Published by Warner Chappell Music Ltd.
14. (West Side Story) Published by Universal Music Publishing Ltd.
15. Published by Warner Chappell Music Ltd. Josh Groban appears courtesy of 143/Warner Bros. Records.
16. (Christmas Carol, The Movie) Published by Rokstone Music Ltd. / Universal Music Publishing Ltd. / Sony/ATV Music Publishing Ltd. Produced, arranged & mixed for Rokstone Productions. Engineered at Rokstone Studios, London. Recorded at Air Studios (Lyndhurst).
Album producer for Yellow Elephant Music, Inc.
Philharmonia recorded at Lyndhurst Hall, Air Studios, Hampstead, London
Vocals and overdubs recorded at O'Henry Sound Studio, Burbank, CA
Overdubs recorded at The Bennett House, Franklin, TN
Album edited and mixed at The Bennett House
*[tracks 3, 7 & 8] Recorded at Coach House Music, Toronto, Canada. Jesse Cook appears courtesy of Narada/Virgin.
**[track 15] Produced and arranged for Chartmaker Inc. Recorded at Chartmaker Studios, CA; Record Pl
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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| Release Country: UK |
| Release Date: 2001 |
Shipping Methods:
Small items:
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Grading of Items:
Items are graded as Goldmine Standard
Goldmine Grading Standard:
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
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Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
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Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
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Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
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Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
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Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
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Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
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