| Title |
Price |
GBP |
Media |
Condition |
Label |
| Afterglow |
4.93 |
|
2CD |
VG+ |
Capitol Records 5248042 |
|
| Item Number: 20050533 |
Capitol Records, 5248042, 2000, DBL 13 Track
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Tracklist
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| 1.1 | I Am In Love | 4:38 | | 1.2 | Sacred Cow | 3:37 | | 1.3 | You Can Touch | 3:46 | | 1.4 | Help Is Coming | 4:49 | | 1.5 | I Love You Dawn | 2:34 | | 1.6 | Dr Livingstone | 3:57 | | 1.7 | My Telly's Gone Bung | 3:13 | | 1.8 | Private Universe | 4:08 | | 1.9 | Lester | 2:18 | | 1.10 | Anyone Can Tell | 3:36 | | 1.11 | Recurring Dream | 3:24 | | 1.12 | Left Hand | 2:57 | | 1.13 | Time Immemorial | 4:07 | | 2.1 | Neil Finn Interview | 11:05 |
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Barcode and Identifiers
BarcodeString: 724352480425
Barcode: 7243 524804 2 5
Cat# CD1: 523472
Matrix / RunoutCD1 [Variant 1]: EMI UDEN 5237222 @ 1 1-1-3-NL
Mastering SID CodeCD1 [Variant 1]: IFPI L046
Mould SID CodeCD1 [Variant 1]: ifpi 1534
Matrix / RunoutCD1 [Variant 2]: EMI SWINDON 5237222.1 :1:3:
Mastering SID CodeCD1 [Variant 2]: IFPI L041
Mould SID CodeCD1 [Variant 2]: ifpi 1427
Matrix / RunoutCD 1 [Variant 3]: EMI UDEN 5237222 @1 1-1-7-NL
Mastering SID CodeCD 1 [Variant 3]: IFPI L046
Mould SID CodeCD 1 [Variant 3]: ifpi 1517
Cat# CD2: 524832
Matrix / RunoutCD2 [Variant 1]: EMI UDEN 5248032 1 1-1-3-NL
Mastering SID CodeCD2 [Variant 1]: IFPI L047
Mould SID CodeCD2 [Variant 1]: ifpi 1567
Matrix / RunoutCD2 [Variant 2]: EMI SWINDON 5248032.1 :1:1:
Mastering SID CodeCD2 [Variant 2]: IFPI L042
Mould SID CodeCD2 [Variant 2]: ifpi 1451
Matrix / RunoutCD 2 [Variant 3]: EMI UDEN 5248032 @1 1-1-3-NL
Mastering SID CodeCD 2 [Variant 3]: IFPI L047
Mould SID CodeCD 2 [Variant 3]: ifpi 153E
Rights Society: BEL/BIEM
Label Code: LC 0148
Price CodeF: PM 518
Credits
Artwork - Nick Seymour
Design - Vent
Liner Notes - David Hepworth
Notes
Cat#:
7243 524804 2 5 on rearinlay, CD, booklet and spine
5248042 on rearinlay (right bottom corner text)
Afterglow features a collection of rare and previously unreleased Crowded House songs.
Tracks 1, 3 and 8 recorded at Kare Kare as a part of the Together Alone sessions in 1992.
Track 2 recorded at A&M Studios in early 1990.
Track 4 recorded at York Street, 1994.
Tracks 5, 6 and 7 recorded at Platinium Studios in Melbourne circa 1989.
Track 9 home demo recorded in 1988.
Track 10 recorded at A&M Studios 1989.
Track 11 recorded at Platinum Studios 1985.
Track 12 recorded at Periscope Studios in Melbourne 1990.
Track 13 recorded at Periscope Studios in Melbourne 1990 circa 1989.
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Note
Images and tracklisting are supplied by a third party and matched by catalogue number or barcode. Tracks on the release may differ from what is being sold.
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|
| Release Country: Europe |
| Release Date: 2000 |
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Items are graded as Goldmine Standard
Goldmine Grading Standard:
(These standards have been expanded to include definitions of CD specific gradings)
Mint [M]
Vinyl: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
CD: Perfect. No scuffs/scratches, unplayed - possibly still sealed.
Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed.
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Near Mint [NM or M-]
Vinyl: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
CD: Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling.
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Very Good Plus [VG+]
Vinyl: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
CD: A few minor scuffs/scratches. This has been played, but handled with good care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar).
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Very Good [VG]
Vinyl: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
CD: Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+.
Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing.
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Good [G], Good Plus [G+]
Vinyl: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
CD: There are a lot of scuffs/scratches. However it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip
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Poor [P], Fair [F]:
Vinyl: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
CD: The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details.
Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged.
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Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable.
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