Rixrecords Full Catalogue New Arrivals Blank Order Form Requests About Us Send Us An Email   Shopping Cart


10cc
Title Price GBP  Media  Condition  Label 
Live And Let Live 11.46  2LP  EX  Mercury 6641698

Item Number: 6110077

Mercury, 6641 698, 1977, DBL 15 Track

Tracklist
 
A1The Second Sitting For The Last Supper
A2You've Got A Cold
A3Honeymoon With B Troop
A4Art For Art's Sake
A5People In Love
B1Wall Street Shuffle
B2Ship's Don't Disappear In The Night (Do They?)
B3I'm Mandy Fly Me
B4Marriage Bureau Rendezvous
C1Good Morning Judge
C2Feel The Benefit
C3The Things We Do For Love
D1Waterfall
D2I'm Not In Love
D3Modern Man Blues

Identifiers
Matrix / RunoutSide 1 label: 9199 265.1
Matrix / RunoutSide 2 label: 9199 265.2
Matrix / RunoutSide 3 label: 9199 266.1
Matrix / RunoutSide 4 label: 9199 266.2
Matrix / RunoutSide 1 runout - stamped (variant 1): 9199265 1Y//3 IB
Matrix / RunoutSide 2 runout - stamped (variant 1): 9199265 2Y//3 IB
Matrix / RunoutSide 3 runout - stamped (variant 1): 9199266 1Y//2 IB
Matrix / RunoutSide 4 runout - stamped (variant 1): 9199266 2Y//2 IB
Matrix / RunoutSide 1 runout - stamped (variant 2): 9199265 1Y//1 IB
Matrix / RunoutSide 2 runout - stamped (variant 2): 9199265 2Y//3 IB
Matrix / RunoutSide 3 runout - stamped (variant 2): 9199266 1Y//3 IB
Matrix / RunoutSide 4 runout - stamped (variant 2): 9199266 2Y//1 IB
Matrix / RunoutRunout, all four sides - Etched: MELYS
Catalog number, LP 1: 9199 265
Catalog number, LP 2: 9199 266


Credits
Backing Vocals, Drums, Percussion - Stuart Tosh
Backing Vocals, Guitar, Bass Guitar - Rick Fenn
Drum, Percussion, Electric Piano - Paul Burgess
Engineer [mixdown] - Eric Stewart
Lead Vocals, Bass Guitar, Guitar - Graham Gouldman
Lead Vocals, Grand Piano, Electric Piano, Backing Vocals, Organ - Tony O'Malley
Lead Vocals, Guitar, Grand Piano, Electric Piano - Eric Stewart
Mastered By - Melvyn Abrahams
Photography By - Gered Mankowitz
Producer - Eric Stewart, Graham Gouldman
Written-By - Eric Stewart, Graham Gouldman

Notes
Issued in a gatefold sleeve

Recorded at Odeon Theatre Hammersmith London 18th 19th 20th June 1977 and Apollo Theatre Manchester 16th 17th July 1977

First cat#= Set Number (on sleeve)
Second cat# = Record 1 (label)
Third cat# = Record 2 (label)

This version does not have the '6641 698' cat# printed on the labels, the version with the cat# on the labels is here: Live And Let Live

Release Country: UK
Release Date: 1977

Shipping Methods:
UK RM packet post 1st item £2.49 add £0.50 per extra item
UK Tracked 1st item £4.00 add £0.50 per extra item
Europe Airmail 1st item £4.99 add £1.00 per extra item
Europe Tracked £8.00 add £1.00 per extra item
World Airmail £6.99 add £2.00 per extra item
World Tracked £10.00 add £2.00 per extra item
If you require any further information please contact us.

Return Policy:
All UK items are sent Parcel Post and Airmail is standard for overseas. For
extra protection Rix uses musicomax cruciform mailers (or equivalent) for
vinyl and Jiffy Bags for CDs.
Rixrecords operates a 14 day no quibble guarantee all we ask is you contact
us BEFORE returning an item and please state a reason if any. When the item
is returned safe and sound your original price and postage will be
refunded. (Return postage will not be refunded)
Although your item should be with within you much sooner please allow 21
days for delivery.
Please note that while every effort is taken to be as accurate as possible
we are human and if mistakes are made you are entitled to a full money back
guarantee inc return postage. However if for any reason you are not happy
with any product received please contact Rix.


Grading of Items:
Items are graded as Record Collector Standard
Record Collector's Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
------------------------------------------------------------
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
------------------------------------------------------------
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
------------------------------------------------------------
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
------------------------------------------------------------
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
------------------------------------------------------------
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
------------------------------------------------------------
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler.
------------------------------------------------------------
CDs & CASSETTES: As a general rule, CDs and cassettes either play perfectly - in which case they are in Mint condition - or they don't, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CDs are difficult to grade visually: they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves

Powered by MusicStack