MusicStack has partnered with a vinyl to CD conversion service who will convert the LP to recordable CD for you. It will sound great with no annoying clicks, pops or background noise. All recordable CDs come in a standard jewel case with artwork printed on glossy paper.
How does this service work?
The seller will ship the LP to the digital conversion center in Arizona, USA where it will be format shifted onto a recordable CD directly from the LP only for your ears. The LP and the recordable CD will then be mailed to you. The digital conversion center will not retain any copies of the item.
What does it cost?
Price of the LP + $35 USD for the conversion to recordable CD + cost of shipping of the LP to Arizona + cost of shipping of the LP from Arizona to your location paid in advance.
There's no denying Freda Payne's talents. At her best, she had a voice that was instantly recognizable and to my ears, incredibly attractive and appealing. At the same time her albums for Invictus were uniformly frustrating. Produced by Brian Holland, Lamont Dozier, and Ronald Dunbar, 1973's "Reaching Out" was no different. About a third of the album was fantastic; about a third was okay, and the remaining third was made up of lounge act throwaways. So who to blame? While Payne certainly had a role in this one, I'd point to the Holland-Dozier-Dunbar production team for most of the shortcomings. Like their work on many Motown albums, they simply couldn't decide what they wanted to do with Payne. At one extreme tracks like 'Two Wrongs Don't Make a Right', 'Mother Misery's Favorite Child' and 'We Gotta Find a Way Back To Love' were clearly geared towards a younger, radio-friendly audience. All three songs were catchy, underscoring Payne's soul roots. In contrast 'Reaching Out', a cover of The Carpenters' 'Rainy Days and Monday', and 'If You Go Away' were all lounge act schlock ballads that probably wouldn't have even registered with your grandmother. Shame they didn't steer her towards a more soul oriented sound. With respect to the album cover, about all I can say is forty year onwards the photos remain stunning. I can't imagine the reaction the cover must have created in 1973. "Reaching Out" track listing: (side 1) 1.) Two Wrongs Don't Make a Right (Brian Holland - Lamont Dozier - R.Wylie) -3:18 rating: *** stars Payne had a great voice, but on 'Too Wrongs Don't Make a Right' Holland-Dozier-Wylie seemingly decided to turn her into a cross between Diana Ross and Donna Summer. The purring, sex kitten tone of her voice was clearly meant to be scintillating, but to my ears it came off as almost funny. Shame since the song was actually pretty good and had she put a little more "band of gold" energy into it, the song would have been magnificent. I'm guessing you were hearing Nickolas Ashford on the backing chorus. The song was also tapped as a single: - 1973's 'Two Wrongs Don't Make a Right' b/w 'We Gotta Find a Way Back To Love' (Invictus catalog number ZS7 1255) 2.) Reaching Out (Michael Smith - Ronald Dunbar) - 3:15 rating: ** stars The title track found Payne revealing her full bodied voice (unlike the previous tune). The problem with the ballad 'Reaching Out' was it sounded like something written for a Hallmark movie of the week. Big and bland ballad that couldn't be saved by her wonderful voice. 3.) For No Reason (Michael Smith - Ronald Dunbar) -2:33 4.) The Man of My Dreams (Michael Smith - Ronald Dunbar) - 4:09 rating: ** stars While Payne sounded good, 'The Man of My Dreams' was another MOR-ish ballad, though not as bland as the title track. Not hard to imagine her singing this one on the Mike Douglas Show, or some prime time variety television show. 5.) Mother Misery's Favorite Child (Brian Holland - Lamont Dozier - Eddie Holland) - 5:02 rating: *** stars Opening up with a killer bass line (James Jameson ?),'Mother Misery's Favorite Child' demonstrated Payne could handle more than MOR-pop. With a hard edged, socially relevant lyric it made for a nice change of pace and one of the album's highlights. Invictus released it as a promo single, but the lyrics were apparently too risque for radio.
- 1973's 'Mother Misery's Favorite Child' b/w 'For No Reason' (Invictus catalog number ZS7 1257)
(side 2) 1.) We Gotta Find a Way Back To Love (Brian Holland - Lamont Dozier - Eddie Holland) - 3:05 rating: **** stars If I had to pick a favorite performance off the album, 'We Gotta Find a Way Back To Love' would win the race by a country mile. Classic slice of Holland-Dozier-Holland material with a melody you couldn't shake loose and one of Payne's best vocals. Shame it wasn't longer. Easy to see why its been sampled a numb
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I've used the Goldmine Grading Guide in grading the collection. Most of the catalog is graded VG or slightly higher. To me that reflects an LP that's been played, but with care and attention. Neither the cover nor the vinyl are pristine, but the cover will be intact without substantial flaw and the vinyl will play without substantial hiss and without skips. Exceptions are noted for each offering. Since I buy music 'cause it's stuff I want to hear, virtually everything I sell is play graded - in other words, I've actually listened to the item. Finally, albums are graded cover first, vinyl second, i.e. VG/NM means a very good cover and near mint vinyl.
Goldmine Grading Standard:
Mint [M]: Absolutely perfect in every way - certainly never played, possibly even still sealed. (More on still sealed below). Should be used sparingly as a grade, if at all.
------------------------------------------------------------ Near Mint [NM or M-]: A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record shows no obvious sign of wear. A 45 rpm sleeve has no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling.
An LP jacket has no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either. And of course, the same is true of any other inserts, such as posters, lyric sleeves, and the like. Basically, Near Mint looks as if you just got it home from a new record store and removed the shrink wrap.
------------------------------------------------------------ Very Good Plus [VG+]: Shows some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experience. Slight warps that do not affect the sound are OK.
The label may have some ring wear or discoloration, but is should be barely noticeable. The center hole is not misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turn-up corners, or a slight seam-split. An LP jacket my have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.
In general, if not for a couple of minor things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
------------------------------------------------------------ Very Good [VG]: Many of the defects found in a VG+ record are more pronounced in a VG disc. Surface noise is evident upon playing, especially in soft passages and during the song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches deep enough to feel with a fingernail) that will affect the sound.
Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them.
------------------------------------------------------------ Good [G], Good Plus [G+]: Good does not mean bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear.
A jacket or sleeve has seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But if it's something you have been seeking for years, and the price is right, get it.
------------------------------------------------------------- Poor [P], Fair [F]: The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and/or writing. The LP jacket barely keeps the LP inside it. Inner sleeves are fully seam split, and written upon.
Except for impossibly rare records otherwise unattainable, records in this condition should be bought or sold for no more than a few cents each.
Payment Methods Accepted
PayPal, Cash (US Dollars - at your risk), Personal Check (US Dollars made out to Scott Blackerby), Certified Check (US Dollars made out to Scott Blackerby), Postal (US Dollars made out to Scott Blackerby), PayPal (make payment to )
Shipping Costs
I ship domestic orders via USPS media mail. Typical delivery is in 3 - 5 days.
I can usually pack 2 - 3 LPs into a mailer
Rates may change as USPS seems to modify their rate structure on a regular basis.
Currently I am limiting sales to the US.U
I ship via USPS media mail which has proven dependable and the most economical delivery for buyers
I can normally pack 1 to 3 LPs in an LP mailer $6.00. $1.00 for each additional LP.
Return Policy
Obviously, grading is subjective and there are bound to be cases where someone disagrees with the way we've graded an album. In cases where you feel I'm way off the mark, let me know and I'll work to reach a mutually agreeable solution. I've sold several hundred albums over the last couple of years, including many on eBay. During that timeframe I've run into two disagreements. I sold a Tommy Boyce solo album which noted the cover had a tiny tear where someone had taken a price sticker off. The buyer was upset since she had known Boyce and wanted to frame the LP for display purposes. Even though the description clearly noted the tiny tear (and it was visible in the picture we posted), I offered her a refund, or a price adjustment to what she thought was fair. I never got a response. I sold a Richard Wright LP. The buyer told me it was a misprint sporting the same track listing on both sides. I provided a full refund and let the buyer keep the LP (he was in South America and it wasn't worth the hassle to get the LP back). Curiously, as a Pink Floyd fan I'd listened to the LP a couple of times and had no recollection of the mispressing. Oh well ...
Seller Information
Reserving items: If you contact me in advance, I'll reserve items for up to 3 weeks. If I reserve something, make sure you honor your commitment to purchase the item, otherwise I'm unlikely to continue doing business with you. Packaging information: I pack items in new record mailers with filler pads for additional protection. So far I haven't had any problems ... Unless you're buying some exceedingly expensive items, or your order totals more than $100.00 I'd suggest not bothering with insurance. If you want insurance, let me know ...
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No Insurance, No Tracking, No Signature, - days Estimated Delivery
