of the outside pop world.

It makes perfect sense then that the band has titled its seventh album Limbo. Hersh sings lines validating her alien status ("I fell out of the sky") and sums up her inability to be one of the pack ("I'm headed for the trees over there, and if that's not a destination, I don't care"). Her voice is throatier than on past efforts and even a little more defiant and confident, yet her mere whispers convey inner turmoil better than most guttural screams.

There are straight-ahead pop songs here, like the bouncy "Tar Kissers," but the music is mostly fueled by Crazy Horse-style guitar feedback and menacing, subtle effects like shimmering organ. Shadowy background vocals give the songs a dangerous edge, while Spanish guitar, cello and violin add classical grace.

Limbo probably won't propel the Muses into overdue stardom, yet it successfully continues their tradition of delivering personal music too shy for mass consumption but too compelling to go completely unnoticed. (RS 741)

LORRAINE ALI