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Tracklist (Vinyl)
| A1 | | Album Intro | | 2:28 | | A2 | | The Message | | 4:10 | | A3 | | Street Dreams | | 4:41 | | A4 | | I Gave You Power | | 3:56 | | A5 | | Watch Dem Niggas | | 4:06 | | A6 | | Take It In Blood | | 4:49 | | A7 | | The Set Up | | 4:26 |
See more tracks| B1 | | Black Girl Lost | | 4:32 | | B2 | | Suspect | | 4:16 | | B3 | | Shootouts | | 3:46 | | B4 | | Nas Is Coming | | 5:40 | | B5 | | Affirmative Action | | 4:20 | | B6 | | Live Nigga Rap | | 3:46 | | B7 | | If I Ruled The World (Imagine That) | | 4:44 |
* Items below may differ depending on the release.
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Review
New Musical Express (12/21-28/96, pp.66-67) - Ranked #41 in NME's 1996 critic's poll.
The Source (8/96, p.95) - 4 Mics (out of 5) - "...Nas reveals himself not only as a rhymer, but also as a thinker....[He] explores the realm of ideas through stories, using example as a device to show rather than tell....IT WAS WRITTEN is an audio anthology of ghetto stories told by one of hip-hop's most prolific writers. If ever there was a straight up genius in hip-hop..."
Rap Pages - "...This joint features the essence of what rap is supposed to be jampacked… Read More with--strictly skillz that will pay the billz..."
Spin (10/96, p.139) - "...It's the production, stupid. Choruses you remember; grainy, pop-savvy loops: When Nas manifests `sleep is the cousin of death,' a line also on ILLMATIC, the sentiment now sounds majestic--worthy of all his Don Corleone street fantasies..."
New York Times (7/28/96, Sec.2, P.30) - "...Throughout the album, Nas stays deadpan as he touts his skills, dispenses advice and places himself within a brutally competitive underworld..."
Q Magazine (9/96, p.118) - 4 Stars (out of 5) - "...Downbeat funk grooves churn in a foggy wash, heavy on electric pianos and smooth strings that ooze bittersweet menace....Angry, lean and full of drive, Nas is the only rapper capable of challenging the Wu-Tang Clan's dominance."
New Musical Express (6/29/96, p.51) - 6 (out of 10) - "...Over a series of stark, almost austere backing tracks, Nas' neat, considered lyrics treat the violence that surrounds him with a mixture of remorse, resignation and ebullience....he paints lurid pictures..."
Entertainment Weekly (7/26/96, p.56) - "...Humor disguises the grim subject matter while Nas' eye for minutiae lends credibility and urgency to his hip-hop short stories." - Rating: A->
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